All Of Me (arr. Mac Huff): SAB Choral Octavo

Mac Huff's arrangement unlocks the melodic warmth of this well-known love song for three-part mixed voices without sacrificing the emotional core that makes the original resonate. The SAB voicing keeps accessibility high while the arrangement's pacing and harmonic choices give singers something substantive to execute, making it equally suited for concert performance or wedding ceremonies.

Intimate and open-hearted, this arrangement preserves the song's confessional quality while giving the three-part texture room to bloom. The harmonic language balances straightforward pop sensibility with genuine musical substance, creating a performance that feels both approachable and earnest.

Any choir looking to program accessible contemporary music for general audiences, whether in a mixed ensemble setting or as part of a variety concert. This arrangement works equally well for high school, community, and adult choirs seeking repertoire that feels current and personally meaningful to singers.

• Balance the lyrical melody in the soprano line against the supporting harmonies; this song lives in vulnerability, so resist the urge to overpower it with volume.
• Shape the song's arc across all ten pages rather than treating each section in isolation; the arrangement builds in intensity, and your phrasing should reflect that momentum.
• Pay attention to any divisi passages that create fuller texture; these moments should feel organic, not like a sudden shift, so blend carefully at transition points.
• The pop idiom calls for rhythmic precision from the ensemble; lock in on the pulse without letting it feel metronomic or stiff.

Place this as a centerpiece for a contemporary music set or pair it with other modern secular songs to demonstrate how current popular music translates to choral settings. It also serves well as a concert closer, where its emotional directness can leave audiences with a resonant final impression.

• Singing contemporary pop idioms with rhythmic accuracy
• Balancing exposed solo lines with ensemble support
• Phrasing legit melody over modern harmonic progressions
• Blending three-part mixed voicing in both unison and divisi sections