All My Trials (High Voice), from Folk Songs for Solo Singers, Vol. 2 Cover Image

All My Trials (High Voice), from Folk Songs for Solo Singers, Vol. 2: SoundTrax Digital Audio Download

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All My Trials (High Voice), from Folk Songs for Solo Singers, Vol. 2 Cover Image

All My Trials (High Voice), from Folk Songs for Solo Singers, Vol. 2: SoundTrax Digital Audio Download

14 Folk Songs Arranged for Solo Voice and Piano... For Recitals, Concerts, and Contests

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Item: 00-A-00015896

$4.99
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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
SKU: 00-A-00015896

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored with the Distinguished Alumni award. His career spans work as a rights and licenses administrator for a major educational publisher, where he served on the Executive Board of the Music Publishers Association of America, and as a prolific composer with over 800 choral works in print across all levels.

Beyond composition, Althouse has shaped music education through multiple channels: he compiled and arranged influential vocal solo collections including Folk Songs for Solo Singers, co-authored The Complete Choral Warm-up Book and Accent on Composers, and created several reproducible classroom resources. His work has earned him regular ASCAP Special Awards for standard music compositions. A writer member of ASCAP, Althouse currently serves on the National Advisory Board of the Folk Art Society of America and resides in North Carolina, where his engagement with the folk music tradition continues through both performance and scholarship.

Why we love this

Althouse's arrangement respects the song's folk roots while giving it the clarity and singability that a recital setting demands. The high voice transposition opens this standard to a wider range of singers, and the SoundTrax accompaniment is polished enough for festival and competition use without overshadowing the soloist's interpretation.

What to expect

The spiritual weight of this folk song carries a quiet dignity. Althouse's arrangement preserves that reflective quality, with accompaniment that supports rather than dominates, allowing the vocalist space to convey the emotional depth beneath the melody.

Who it's for

High voice soloists preparing for recitals, auditions, and vocal competitions benefit from this accessible arrangement of a beloved standard. Whether you sing soprano, mezzo-soprano, or tenor (transposed accordingly), you'll find a song that sits comfortably in the voice while offering real musical substance.

How to get the most out of it

  • Let the rhythm breathe with a steady but unhurried pulse; folk songs lose their character when rushed through.
  • Connect the melodic phrases with intention so the story of the lyrics lands clearly for the audience.
  • Use the SoundTrax accompaniment in rehearsal to nail the tempo and stylistic feel, then practice unaccompanied to deepen your ownership of the line.

How to use it

Position this among contrasting art songs or operatic arias in a recital to offer listeners a moment of genuine human storytelling. It works equally well as a closing piece that leaves the audience with something to contemplate.

Skills your students will build

  • Singing folk melodies with legit phrasing rather than operatic weight
  • Managing long, sustained phrases with natural breath placement
  • Communicating narrative content clearly while maintaining musical line
  • Balancing vocal tone with diction so lyrics remain intelligible

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