All My Trials Sheet Music Preview

All My Trials: SSA Choral Octavo

Arranged by Kirby Shaw

Item: 35-DS00373814

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00373814

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw has shaped choral music education across six continents, bringing his distinctive blend of rigorous musicianship and infectious humor to ensembles in 45 states and numerous countries. With formal training in music education, choral composition, and conducting from San Jose State University and the University of Washington, Shaw built his reputation by founding and directing innovative vocal jazz ensembles at College of the Siskiyous, Colorado State University, University of Missouri at Kansas City, and Southern Oregon University. His mentorship includes direct study with vocal giants like Bobby McFerrin, Mark Murphy, and Al Jarreau.

As a composer and arranger, Shaw has created more than 2500 choral works that have sold nearly 20 million copies worldwide and earned multiple ASCAP awards. His output spans educational recordings, college albums, solo projects, and collaborations with ensembles like Just 4 Kicks, a four-part a cappella group specializing in jazz. Beyond music, Shaw co-created the original musical Scroogical with his wife Markita, adapting Charles Dickens' A Christmas Carol for the stage.

Why we love this

Shaw's gift for vocal writing shines here: this spiritual feels singable yet sophisticated, with the kind of warm accessibility that draws audiences in without sacrificing musical substance. The three-part voicing sits comfortably for developing ensembles while the harmonic language and phrasing demand real musicianship. You get an a cappella arrangement from someone who understands both classical choral craft and the rhythmic subtlety that makes spirituals breathe.

What to expect

There's a quiet strength here, the kind of honest introspection that spirituals carry. The arrangement honors the tradition while Shaw's craft creates unexpected harmonic moments that make singers and listeners lean in closer.

Who it's for

This works beautifully for upper-level high school and collegiate women's choirs seeking substantive a cappella literature with cultural weight. Developing mixed ensembles can also perform the SSAA version, making it versatile for programs building their spiritual repertoire.

How to get the most out of it

  • Shape the melody through vowel weight rather than dynamic change alone; spirituals live in the resonance and character of sustained tones.
  • Let the text rhythm guide your phrasing in the accompaniment parts. Shaw's voice leading follows the natural speech patterns, not just bar lines.
  • Balance the upper voices so the melody reads without drowning the inner harmonic movement that gives the piece its depth.
  • Explore the spiritual's inherent swing and lift; avoid letting the a cappella texture feel rigid or metronomic.

How to use it

Pair this with other spirituals or sacred American song in a concert exploring themes of hope and perseverance; its brevity and emotional clarity make it ideal for programming between larger works. It's equally at home in a concert devoted entirely to a cappella singing, where it anchors the program with authenticity and depth.

Skills your students will build

  • Balancing independent vocal lines in a cappella texture
  • Interpreting text expression within the spiritual tradition
  • Maintaining ensemble blend and tuning without instrumental support
  • Singing through lyrical phrases with breath control and legit tone

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