All Is Well: Choral Instrumental Pak
Item: 35-PK00451976
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About the Creator
David Angerman and Michael Barrett bring complementary strengths to sacred choral composition. Their collaborative approach in this cantata draws on contemporary Christian music traditions while maintaining the structural clarity that makes choral works accessible to singers of all experience levels.
By pairing well-known artists (Michael W. Smith, Keith Getty, Amy Grant) with thoughtfully crafted arrangements, they've created a work that respects both the source material and the needs of the performing choir. Their attention to optional instrumentation reflects a deep understanding of how directors balance artistic vision with practical ensemble resources.
Why we love this
This cantata strikes a rare balance between musical substance and genuine accessibility. The mix of familiar contemporary Christian songs alongside traditional material gives your choir repertoire with instant audience connection, while the optional obbligato instruments mean you're not locked into a single instrumentation choice. At 37 minutes, it fills a full concert slot without requiring an outsized commitment from singers to learn.
What to expect
The instrumentation carries a contemporary folk warmth that grounds even the most reverent moments in genuine human experience rather than purely ethereal piety. Movement between the well-known contemporary pieces and traditional carol arrangements creates natural breathing space, giving the cantata a conversational quality that draws listeners into reflection on grace and hope.
Who it's for
Directors seeking a Christmas cantata that feels current without abandoning musical credibility will find this work immediately useful. It works equally well for volunteer adult choirs, youth ensembles, and church music programs where mixed musical backgrounds are the norm.
How to get the most out of it
- Establish the folk sound early by rehearsing with the accompaniment tracks from the start. This modern production aesthetic shapes how the choir should phrase and approach the material.
- If adding instrumental obbligatos, select them based on your ensemble's strengths rather than feeling obligated to use all available parts. The writing works beautifully with minimal doubling.
- Work the narration into staging rehearsals well before performance. The spoken portions anchor the theological arc and give singers context for each song's role in the larger narrative.
- Consider splitting the 37-minute duration across two sets if programming a longer concert. The cantata's thematic structure allows flexible ordering of individual pieces.
How to use it
Slot this as your primary Christmas concert work or use individual selections to build a varied holiday program alongside shorter pieces from your choir library. The combination of narration and music makes it stand independently without requiring supplementary material to complete your presentation.
Skills your students will build
- Singing in contemporary Christian music styles with appropriate phrasing and emotional nuance
- Balancing individual melodic lines with ensemble blend across multiple brief song cycles
- Coordinate singing with spoken narration and maintain momentum between sections
- Learn repertoire quickly through strategic use of accompaniment tracks during rehearsal
- Navigate optional instrumental doublings and adjust blend when instrumentation changes