All Is Found (from Disney's Frozen 2) (arr. Mark Brymer) Sheet Music Preview

All Is Found (from Disney's Frozen 2) (arr. Mark Brymer): SATB Choral Octavo

As performed by Evan Rachel Wood / Arranged by Mark Brymer

Item: 35-DS00452993

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All Is Found (from Disney's Frozen 2) (arr. Mark Brymer): SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00452993

More about this title

About the Artist: Evan Rachel Wood

Evan Rachel Wood is an accomplished actress and singer known for her dynamic vocal performances across film and television. Her work on the Frozen 2 soundtrack brought depth and emotional resonance to this Disney composition, making it a compelling choice for choral arrangements.

Why we love this

Mark Brymer's arrangement captures the introspective, haunting quality of the original while making it accessible for SATB ensembles. The voicing balances melodic clarity with rich harmonic support, giving singers room to explore the song's emotional landscape without overwhelming them technically.

What to expect

Introspective and atmospheric, with moments of building intensity that never lose their sense of wonder. The arrangement invites singers to inhabit a world of mystery and discovery, creating an intimate connection between performers and listeners.

Who it's for

Choirs looking to engage audiences with contemporary film music that feels fresh yet emotionally grounded. This arrangement works equally well for concert programs, film music showcases, or as a meaningful addition to a Disney-themed concert.

How to get the most out of it

  • Shape the opening phrases with restraint; let the mystery of the melody speak before building toward the emotional peaks in the second half.
  • Balance the soprano line carefully against alto and tenor harmonies, especially in passages where the melody passes between voices.
  • Pay attention to the consonants on key words to maintain clarity across the choir while preserving the lyrical quality.

How to use it

Program this as part of a contemporary music set to reach audiences who connect with film repertoire, or use it as a bridge piece between classical choral standards and more modern programming. Its moderate length and emotional arc make it ideal for second-half programming when audience attention is fully engaged.

Skills your students will build

  • Sustaining legit phrasing across extended vocal lines
  • Balancing individual voice parts within a homophonic texture
  • Interpreting contemporary film music with stylistic authenticity
  • Collaborating across parts to maintain harmonic blend

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