Evan Rachel Wood is an accomplished actress and singer known for her powerful vocal performances across film and television. Her interpretation of Iduna in Disney's Frozen 2 brought emotional depth to the character, making "All Is Found" a standout moment that resonated with audiences worldwide.
Why we love this
Mark Brymer's arrangement captures the song's intimate, mysterious quality while making it accessible for three-part mixed voices. The SAB voicing sits comfortably for typical high school choirs, and the storytelling element gives singers a real emotional anchor rather than just notes on a page.
What to expect
Haunting and introspective, the song unfolds like a secret being shared. The harmonies support rather than ornament the melody, creating space for vulnerability and creating moments of surprising harmonic depth that elevate what could be a simple pop tune into something more resonant.
Who it's for
High school choirs, middle school advanced ensembles, and community choruses looking for contemporary material with genuine emotional resonance. Directors seeking a film arrangement that avoids the trap of being overly simplified will find this work rewarding for both singers and audiences.
How to get the most out of it
Balance the opening lines carefully so the melody emerges naturally from the harmonic foundation without aggressive top-note singing.
Let the accompaniment breathe with you; this song lives in restraint and atmosphere rather than pushing for volume.
Shape phrases toward moment of greatest vulnerability rather than climactic points, which keeps the listener drawn inward.
How to use it
This works beautifully as a concert opener to establish an intimate mood, or paired with other contemporary film music for a "Stories Through Song" themed concert. Its relatively modest technical demands make it suitable mid-year when you want to spotlight emotional maturity over technical fireworks.
Skills your students will build
Sustaining legit vocal tone across a gentle dynamic range
Harmonic blend in three-part writing without doubling standard voice parts
Narrative phrasing that serves emotional content rather than musical structure
Breathing placement that maintains musical line through unexpected phrase lengths
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