All I Need Is an Angel (from <i>Grease: Live</i>) Cover Image

All I Need Is an Angel (from <i>Grease: Live</i>): Choral Octavo SoundTrax CD

$27.99 USD
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All I Need Is an Angel (from <i>Grease: Live</i>) Cover Image

All I Need Is an Angel (from Grease: Live): Choral Octavo SoundTrax CD

Words and music by Tom Kitt and Brian Yorkey / arr. Greg Gilpin

Item: 00-45588

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Description
Performed by Carly Rae Jepsen in the live television adaptation, this touching new ballad will melt the hearts of both choir and audience.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081513270
SKU: 00-45588

More about this title

About the Composer: Tom Kitt

Tom Kitt is a composer and lyricist whose work spans Broadway musicals, film scores, and television productions. He won the Tony Award for Best Original Score for Natasha, Pierre & The Great Comet and has contributed to multiple productions for network television, bringing his theatrical sensibility to contemporary media.

Why we love this

This arrangement captures the intimate vulnerability of Carly Rae Jepsen's original performance while giving your singers meaningful lines to carry. Greg Gilpin's voicing opens the piece up for mixed choirs without sacrificing the emotional weight that made the song resonate on television.

What to expect

The piece carries genuine tenderness and sincerity, with a straightforward melody that invites connection rather than technical display. There's an understated warmth here, the kind of song that lands quietly but stays with listeners.

Who it's for

Choirs looking for contemporary material that speaks to younger audiences and mixed-voice ensembles wanting an accessible yet emotionally substantial ballad. This works well for groups seeking repertoire beyond traditional standards without sacrificing musicality.

How to get the most out of it

  • Allow space between phrases to let the lyrical quality breathe; resist the urge to push through the ballad's quieter moments.
  • Balance the recorded accompaniment carefully during rehearsals so singers can hear themselves without becoming dependent on the track.
  • Shape dynamic arcs within each section to build emotional momentum rather than singing at a static level throughout.

How to use it

This ballad works beautifully as an intermission or closing piece, particularly in spring concerts or programs pairing contemporary choral music with musical theater selections. It also fits naturally into concerts exploring modern compositions written for television or film.

Skills your students will build

  • Singing sustained vocal lines with consistent breath support
  • Balancing individual voice parts within a transparent harmonic texture
  • Interpreting contemporary pop idiom through choral arrangement
  • Maintaining emotional authenticity in ensemble singing

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