All I Do Is Dream Of You Sheet Music Preview

All I Do Is Dream Of You: E-Z Play Today

As performed by Michael Bublé / As performed by Debbie Reynolds / As performed by Chico Marx / As performed by Gene Raymond

Item: 35-DS00978805

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00978805

More about this title

About the Artist: Michael Bublé

Michael Bublé is a Canadian jazz vocalist and pianist known for reviving standards and classic American songbook material for contemporary audiences. His interpretations blend traditional jazz sensibilities with modern production, making him a significant figure in the 21st-century standards revival and a draw for educators seeking accessible jazz repertoire that connects students to both vocal and instrumental traditions.

Why we love this

This arrangement captures the playful charm of a genuine jazz standard without demanding advanced harmonic reading. Students get a taste of swing-era vocabulary and the kind of accompaniment patterns that define classic pop-jazz piano work, all on a manageable three-page score.

What to expect

Warm and nostalgic with a wink to its golden-age origins. The melody unfolds with the kind of gentle sophistication that feels both effortless and genuinely charming, inviting players to discover their own interpretation within a well-worn but beloved framework.

Who it's for

Pianists exploring the standards and jazz-pop repertoire, from intermediate students building their swing vocabulary to teachers seeking accessible material that bridges classical training and jazz tradition. This works equally well for solo performance or accompaniment in a vocal or jazz ensemble setting.

How to get the most out of it

  • Keep the stride patterns loose and conversational; this isn't a march. The syncopation should feel relaxed, not rigid.
  • Listen to how the melody breathes over the accompaniment. Leave space where the tune naturally pauses rather than filling every rest.
  • Pay attention to the dynamic arc across the entire piece. These standards live and die by subtle shaping, not dramatic contrasts.
  • Treat swing articulations as a conversation between left and right hands. The bass line speaks a different dialect than the melody.

How to use it

Program this as a palate cleanser between heavier classical or contemporary works, or use it to anchor a standards-focused jazz combo concert. It's also an excellent choice for a casual recital setting where you want to showcase students' ability to handle swing style with musicality and restraint.

Skills your students will build

  • Reading and executing swing eighths and syncopated rhythms
  • Understanding stride piano patterns and left-hand independence
  • Interpreting jazz articulation and phrasing within a melodic context
  • Managing tempo and rhythmic flexibility in a ballad setting
  • Balancing accompanimental texture with melodic clarity

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