All Glory, Laud and Honor (Handbells) Sheet Music Preview

All Glory, Laud and Honor (Handbells): Choral Instrumental Pak

Arranged by Joseph M. Martin and David Angerman

Item: 35-PK01375464

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Description
Classic hymnody is celebrated in this festive concertato-styled offering for Palm Sunday. Bringing choir and congregation together in praise, this unifying acclamation is a perfect service-opener and backdrop for the procession of the palms. Hand bells and brass add to the atmosphere of elegant grandeur.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK01375464

More about this title

About the Arranger: Joseph M. Martin and David Angerman

Joseph M. Martin is a prolific composer and arranger whose sacred choral works have become staples in churches and concert halls across North America. His gift for writing accessible yet musically sophisticated arrangements has made him a trusted voice in worship settings, particularly for hymn-based compositions that honor tradition while adding contemporary energy.

David Angerman brings extensive experience in choral and instrumental scoring, often collaborating with Martin on projects that integrate handbells and brass into sacred contexts. Together, they've developed a signature approach to arranging that respects the integrity of beloved hymn texts while creating compelling musical moments for congregational participation.

Why we love this

The concertato style here transforms a familiar hymn into a processional event without losing the tune's congregational appeal. The interplay between choir, handbells, and brass creates layered texture that feels both ceremonial and warm, making this an arrangement that works equally well for Palm Sunday services and Easter concert programming.

What to expect

Stately and celebratory, with the shimmer of handbells creating an almost processional grandeur. The concertato texture feels alive and layered, inviting the listener into a moment of communal praise that feels both reverent and joyful.

Who it's for

Directors leading Palm Sunday or Easter services who want to engage both choir and congregation in a unified musical statement. This works for churches with handbells and brass available, and it serves equally well as an opening number for a choral concert celebrating sacred music.

How to get the most out of it

  • Balance the handbells prominently in the mix; they provide both rhythmic drive and harmonic shimmer that defines the arrangement's character.
  • Work the brass entries carefully in rehearsal so they support rather than overwhelm the choir's primary melodic line.
  • When the congregation joins, anchor them with your strongest singers on the unison melody while other choir members add harmonic depth above and below.
  • Use the procession as a visual element; the music's energy builds naturally, so physical movement during the piece reinforces the architecture Martin and Angerman have written.

How to use it

Open your Palm Sunday service with this piece to set a festive, worshipful tone before the liturgy begins. Alternatively, feature it as the centerpiece of a spring choral concert, pairing it with other hymn-based works or contrasting secular repertoire to highlight the richness available in sacred tradition.

Skills your students will build

  • Balancing solo choir lines with congregational participation
  • Reading and executing rhythmic precision with handbells and brass accompaniment
  • Blending multiple instrumental timbres to support rather than overshadow vocal lines
  • Sustaining legit tone in a processional context without dragging tempo

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