All Glory, Laud And Honor: Choral Instrumental Pak
Arranged by Douglas E. Wagner
Item: 35-PK00147540
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About the Arranger: Douglas E. Wagner

Douglas E. Wagner grew up in Chicago and earned both his undergraduate and graduate degrees in music from Butler University. After spending three decades as a high school music director and administrator, he committed himself fully to composition and arranging, becoming one of the most prolific creators in American music education.
Since 1973, Wagner has published over 3,500 works spanning choirs, concert bands, orchestras, handbell ensembles, organ, piano, and vocal music. His output has reached well beyond seventeen million copies purchased worldwide, with performances documented across concert halls, television, radio, and international broadcasts. He currently lives in Indianapolis with his wife, Sandy.
Why we love this
Wagner treats this hymn tune as a genuine celebration rather than a reverent whisper. His setting layers instrumental colors and rhythmic drive that energize the familiar melody without losing its dignity, making it feel fresh even to congregations that know this tune by heart. The four-minute scope fits perfectly into a worship service while delivering enough musical substance to justify its place in a concert program.
What to expect
Fanfare and processional energy meet hymnic substance. Wagner's orchestration shimmers with brightness while the harmony grounds the melody in something both traditional and alive. You're hearing something cherished remade with genuine festivity.
Who it's for
Church musicians preparing music for Palm Sunday or other celebratory worship moments will find a setting that respects the hymn while injecting genuine joy. The special voicing works for choirs of mixed ability, and the instrumental accompaniment (available in this Pak) lifts a familiar tune into concert-worthy territory.
How to get the most out of it
- Balance the instrumental accompaniment so it propels rather than drowns the choir. Wagner's scoring invites dialogue between voices and instruments, so clarity in both matters equally.
- Establish the festive character from the very first chord. The excitement here isn't quiet or introspective; commit to the fanfare energy that runs through the piece.
- Work the text phrasing with your choir first, then layer in the accompaniment. Wagner's rhythmic writing supports good diction, but only if singers know exactly where words land.
How to use it
This works beautifully as the climax of a Palm Sunday or Easter service, or as a closing number on a spring choral concert where you want to leave audiences with joy and resonance. You might also pair it with more introspective sacred works to create dynamic contrast in a longer program.
Skills your students will build
- Singing in special voicing configurations beyond standard SATB
- Listening to and balancing with instrumental accompaniment
- Executing the text with clarity against syncopated rhythmic accompaniment
- Building resonant tone that carries through jubilant dynamics