All For One (from High School Musical 2): SAB Choral Octavo

Brymer captures the infectious energy and unifying spirit of the original while writing for three-part voicing that accommodates real mixed choirs with varying soprano and alto sections. The arrangement preserves the song's motivational message about ensemble work, making it as meaningful to perform as it is to hear.

Bright, positive, and thoroughly modern. The arrangement radiates the kind of youthful optimism that makes audiences lean in and students actually want to sing the piece multiple times through rehearsal.

Choirs seeking contemporary pop repertoire that works for mixed voices without over-complicating the arrangement. This sits well for high school ensembles working at an intermediate level, especially programs that value feel-good material for concerts or pep events.

• Keep the rhythmic drive steady throughout; this song lives in forward motion, so resist the temptation to linger on held notes even when they feel dramatically satisfying.
• Lock the octaves and unisons between parts carefully, especially during the title phrase repetitions, so the message lands with clarity rather than muddiness.
• Balance the SAB voicing so the soprano doesn't dominate; the strength here comes from all three parts moving as one unit rather than sopranos leading.

Consider this for pops concerts, school assemblies, or end-of-year celebration programs where audience connection matters as much as vocal precision. Its length and style also make it work well sandwiched between more classical selections to pace a concert effectively.

• Balancing homophonic three-part texture
• Maintaining rhythmic precision in contemporary pop idiom
• Shaping phrases for emotional communication in a unison-heavy arrangement
• Sustaining ensemble blend across SAB voicing in octave and unison passages