All Fly Around Sheet Music Preview

All Fly Around: 2-Part Choral Octavo

Arranged by Emily Crocker

Item: 35-DS00420045

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$2.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS00420045

More about this title

About the Arranger: Emily Crocker

Emily Crocker

Emily Crocker spent 15 years teaching music in Texas public schools across all grade levels before moving into publishing. She joined Hal Leonard in 1989 and eventually became Vice President of Choral Publications, a role she held until her retirement in 2017 after nearly three decades with the company.

Beyond her publishing career, Crocker founded and directed the Milwaukee Children's Choir from 1994 to 2009, earning the title of Director Emeritus in 2019, and established the Vocal Arts Academy of Milwaukee from 2009 to 2015. Her original compositions have been performed internationally, and she remains recognized for her substantial contributions to choral pedagogy and instructional music materials. She currently resides in Fort Worth, Texas, where she continues to compose and advocate for the arts.

Why we love this

Crocker's folk arrangement balances accessibility with genuine musicality, giving developing singers a piece they can master quickly without sacrificing character. The 2-part voicing makes it equally useful for mixed ensembles or same-voice groups, expanding your programming flexibility throughout the year.

What to expect

Bright, uncomplicated, and inviting. The folk melody sits naturally in the voice, and Crocker's harmonies feel intuitive rather than imposed. This is the kind of piece that makes singers smile because it feels good to sing.

Who it's for

Any choir director working with developing singers at the middle school or early high school level will find this octavo useful for festival programming, concert warmups, or quick-learning repertoire. The arrangement works equally well for community choirs, church programs, and classroom ensembles seeking material that builds confidence without oversimplifying musical content.

How to get the most out of it

  • Keep the melody line bright and forward; this folk tune thrives on clarity and buoyancy rather than heavy expression.
  • Let the second part breathe independently. Many singers default to doubling the melody, so rehearse the parts in isolation to establish confident harmonic awareness.
  • Shape phrases by thinking through the text rather than stopping at bar lines. Crocker's setting respects natural speech rhythm, so follow the language contours.

How to use it

Include this as a contrasting moment between weightier concert selections, or program it early in your festival schedule when energy and morale matter most. The short page count and straightforward voicing also make it ideal for spring concerts where rehearsal time is stretched thin.

Skills your students will build

  • Confident part-singing in simple harmonic contexts
  • Melodic independence between voice lines
  • Shaping folk material with natural phrasing rather than arbitrary accents
  • Quick text integration and lyrical delivery

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