All Creatures, Sing Praise Sheet Music Preview

All Creatures, Sing Praise: Choral Instrumental Pak

As performed by William Henry Draper / As performed by St. Francis of Assisi / Arranged by John Purifoy

Item: 35-PK00315436

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Description
Uses: General, Call to Worship, Christ the King Scripture: Job 12:7-10; Psalm 148:8-9 Welcome this confident setting of a towering hymn classic to your choral repertoire. Energized with effective choral techniques, this setting is an ideal festive opener for any service. Brilliant brass and jubilant handbell options lift the concept to dizzying heights. Unforgettable!

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00315436

More about this title

About the Artist: William Henry Draper

William Henry Draper (1855-1933) was an English clergyman and hymn writer whose literary gifts extended beyond the pulpit into sacred music. Best known for pairing the medieval Italian poem "Canticle of the Sun" by St. Francis of Assisi with an existing melody, he created one of the most recognizable modern hymn tunes in the English-speaking church.

Draper's work demonstrates how a skilled translator and adapter can breathe new life into ancient spiritual texts, making them accessible and singable for contemporary congregations. His legacy reminds music educators that the greatest hymns often emerge from the intersection of literary merit and practical musicality.

Why we love this

Purifoy's arrangement captures everything that makes this hymn endure: soaring melodic writing that congregations already love, paired with sophisticated choral layering that gives your singers something genuinely rewarding to perform. The optional brass and handbell parts transform a beloved hymn into a genuinely festive proclamation without requiring extensive rehearsal time on unfamiliar material.

What to expect

The energy here is celebratory and grounded at once. You're singing words written centuries ago by a medieval mystic, yet Purifoy's arrangement makes the praise feel immediate and vital, with brass cutting through to remind you of the grandeur you're celebrating. It's the sound of a congregation that has found its voice.

Who it's for

This works equally well for traditional churches seeking a confident opening to worship and for choirs wanting to celebrate the hymn tradition with musical substance. Ensembles of varying sizes can participate meaningfully since the arrangement scales from organ and voices alone to full instrumentation.

How to get the most out of it

  • Balance the organ or piano foundation carefully so the brass parts add brilliance without overpowering the choir's text clarity. The jubilation comes from transparent ensemble sound, not volume.
  • Shape the choral phrases with gentle dynamics that follow the theological arc of the text rather than strictly metering out volume. Allow quieter moments when the text asks listeners to hear creation itself.
  • If including handbells, rehearse them separately from the full ensemble first. The rhythmic precision handbell parts require deserves isolated attention before combining with choir and organ.
  • Consider whether to use full brass and handbells simultaneously or to build the texture progressively across verses, reserving the fullest orchestration for the final section.

How to use it

Open a service with this piece when you want to establish joyful celebration from the first moments, particularly on festivals that honor God's creation or proclaim Christ's kingship. It also pairs naturally with liturgies built around creation theology or responses of thanksgiving, giving you a musically substantial alternative to simpler processional hymns.

Skills your students will build

  • Singing sustained hymn melodies with appropriate phrasing and text inflection
  • Blending voices in four-part harmony while maintaining line independence
  • Listening to and balancing against live instrumental forces (brass and handbells)
  • Understanding how stylistic arrangement techniques enhance traditional sacred music
  • Responding to conducting gestures that shape emotional arc rather than just marking time

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