All At Sea (arr. Robert Ramaker) Sheet Music Preview

All At Sea (arr. Robert Ramaker): SSAA Choral Octavo

As performed by Jamie Cullum / Arranged by Robert Ramaker

Item: 35-DS00487087

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Additional Details
Publisher: Hal Leonard
Page Count: 115
SKU: 35-DS00487087

More about this title

About the Artist: Jamie Cullum

Jamie Cullum is a British jazz pianist and vocalist known for blending contemporary pop sensibilities with jazz-inflected arrangements and improvisational sensibilities. His work across studio albums and live performances has made him a distinctive voice in modern pop, drawing from both standard jazz repertoire and original compositions that appeal to broad audiences.

Why we love this

Robert Ramaker's arrangement opens up a song with contemporary pop appeal to upper-voice choirs, translating Cullum's sophisticated approach into rewarding vocal writing that doesn't shy away from rhythmic sophistication. The SSAA voicing feels genuinely singable while preserving the song's jazz-inflected character, giving your singers material that feels current and artistically substantive.

What to expect

Conversational and intimate despite its accessibility; the piece carries the ease of a vocalist sharing a thought over subtle accompaniment, then opening into fuller harmonic textures that feel sophisticated without being precious. There's a lightness here balanced by genuine melodic and harmonic interest.

Who it's for

SSAA and SSAA choirs looking to program contemporary, stylistically sophisticated material that sits above basic pop arrangements. Directors seeking engaging secular repertoire with enough musical substance to hold singers' and audiences' attention equally.

How to get the most out of it

  • Pay attention to the rhythmic syncopation throughout; these aren't straight eighth notes, and locking the groove will make the difference between competent and compelling.
  • Balance is critical with four soprano parts potentially dominating the texture. Rotation of soloists or selective doubling during rehearsal helps reveal the inner voice movement.
  • The recorded accompaniment should anchor your ensemble's sense of tempo and pocket, especially during any jazz-influenced passages where rubato might be tempting.

How to use it

Pair this with other contemporary secular works to build a modern pop or jazz-influenced set, or use it as a flexible encore that showcases your singers' ability to move beyond traditional choral fare. It works equally well on a spring concert or as part of a cabaret-style program celebrating contemporary songwriting.

Skills your students will build

  • Rhythmic precision in syncopated pop and jazz idioms
  • Intonation in close four-part harmony with chromatic voice leading
  • Stylistic interpretation and phrasing in contemporary vocal music
  • Balance and blend across multiple soprano lines

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