All About That Bass: Concert Band Conductor Score & Parts
As performed by Meghan Trainor / Arranged by Paul Murtha
Grade: 2
Item: 35-PK00302978
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More about this title
About the Artist: Meghan Trainor
Meghan Trainor emerged in the early 2010s as a pop artist with a distinctive retro sensibility, drawing heavily from 1950s doo-wop and early 1960s girl-group aesthetics. Her breakout single "All About That Bass" became a cultural phenomenon, reaching number one on charts worldwide and establishing her as a songwriter who could blend contemporary pop production with vintage vocal and instrumental textures.
For music educators, Trainor's work offers accessible entry points into arrangement and pastiche. Her songs reward careful listening to harmonic choices and the interplay between modern and classic stylistic elements, making them valuable models for students learning how different musical eras can coexist within a single piece.
Why we love this
Paul Murtha's arrangement captures the swagger and groove of the original while giving your bass section something genuinely exciting to do. Young musicians often spend rehearsals supporting others; here, they get moments of real musical leadership, which builds confidence and investment in ensemble playing.
What to expect
Confident and playful, with a modern pop sensibility wrapped in retro charm. The arrangement keeps the energy high and approachable, never demanding virtuosity but rewarding clean execution and ensemble awareness.
Who it's for
Young concert bands in grades 1.5 to 2.5 looking for a contemporary piece with genuine groove and pedagogical value. Directors seeking material that engages students through familiar pop repertoire while developing rhythmic precision and sectional balance will find strong teaching moments here.
How to get the most out of it
- Establish the groove early in sectional rehearsals by isolating the bass line and drums. Lock the feel before adding the rest of the band.
- Let the doo-wop moments breathe. Resist rushing those passages; they sit comfortably at a moderate tempo and benefit from clarity over speed.
- Balance the melody when it passes between sections. The arrangement's design means no single voice dominates throughout, so mark entrances carefully in parts and remind musicians when they transition from harmonic to melodic roles.
- Emphasize articulation consistency across the low brass and woodwinds during the prominent bass line sections. Matching tonguing creates cohesion in a line that might otherwise sound fragmented.
How to use it
Perfect as a mid-winter or spring concert piece when students need something uplifting and fun to energize the audience. It also works well as a set closer or as the lighter complement to more serious repertoire on a mixed program.
Skills your students will build
- Groove-based ensemble playing and rhythmic cohesion
- Reading and maintaining consistent articulation in syncopated bass lines
- Transitioning between harmonic and melodic roles
- Balance and blend when melody passes between different sections
- Stylistic understanding of doo-wop and retro pop influences