Alien Autopsy Cover Image

Alien Autopsy: Concert Band Score & Parts

$60.00 USD
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Alien Autopsy Cover Image

Alien Autopsy: Concert Band Score & Parts

By Clarence E. Barber

Grade: 2.5

Item: 36-50100310

$60.00
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Description
A humorous and most assuredly tongue-in-cheek work by Clarence E. Barber, Alien Autopsy offers cross-cued solo opportunities for bassoon, flute, clarinet, alto saxophone, and tuba. A wide array of percussion instruments gives the players an opportunity to shine without being overbearing. (3:00)

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Additional Details
Series: LudwigMasters Developing Band
Publisher: LUDWIGMASTERS
UPC: 735816174477
SKU: 36-50100310
Instrumentation: Concert Band

More about this title

About the Composer: Clarence E. Barber

Clarence E. Barber is a composer and educator with a gift for writing accessible concert band music that doesn't take itself too seriously. His work in the LudwigMasters Developing Band series demonstrates a clear understanding of what young ensembles can achieve when given intelligent part-writing and genuine musical substance beneath the humor.

Why we love this

Barber crafts satire with real musicianship. The joke never comes at the expense of the players; instead, the humor emerges from clever orchestration, unexpected harmonic turns, and the absurdist premise itself. Your developing band gets to deliver comedy that actually lands because the writing is sharp and the solo opportunities are genuinely rewarding to perform.

What to expect

A theatrical romp with unexpected instrumental conversations. The piece bounces between moments of absurd seriousness and genuine musical wit, all at a tempo that feels accessible without being patronizing. It's the kind of work that gets audiences smiling before the first phrase ends.

Who it's for

Developing bands and younger high school ensembles looking for Grade 2.5 repertoire with personality and cross-cuing options that keep all players engaged. This works equally well for a group that needs confidence-building fun or one ready for a programming surprise that shows off their musicianship.

How to get the most out of it

  • Commit fully to the comedic timing in the percussion section. Those hits and flourishes are musical punctuation marks, not afterthoughts. Rehearse them with the same precision you'd give to a classical passage.
  • Balance the solo spots so each voice is heard clearly without overwhelming the ensemble. The bassoon and tuba solos especially benefit from careful dynamic shaping; they're funny precisely because they're exposed.
  • Let the younger players own their moments. Flute, clarinet, and alto sax soloists should understand they're driving the narrative, not accompanying it.

How to use it

Save this for a spring concert or family day program where you want to remind audiences why ensemble playing is joyful. It pairs well alongside a serious selection, giving your band a chance to demonstrate range and giving yourselves permission to enjoy the stage.

Skills your students will build

  • Reading and executing cross-cues across multiple instruments
  • Balancing solo passages against ensemble texture
  • Coordinating rhythmic and dynamic precision in humorous contexts
  • Percussion independence with extended instrumentation
  • Ensemble cohesion while managing varied solo opportunities

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