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Alfred's Piano 101: Book 2: Piano Comb Bound Book

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Alfred's Piano 101: Book 2 Cover Image

Alfred's Piano 101: Book 2: Piano Comb Bound Book

An Exciting Group Course for Adults Who Want to Play Piano for Fun!

By E. L. Lancaster and Kenon D. Renfrow

Item: 00-14591

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Description
This comprehensive approach to functional musicianship at the keyboard includes varied repertoire, theory, technique, sight-reading, harmonization from lead sheets, ear training and ensembles. Great for college non-music majors, continuing education classes, music dealer in-store programs and group piano classes at the middle and high school levels. Book 2 contains 15 units each with a variety of repertoire, exercises, unit review worksheets and an assignment page. The comb binding creates a lay-flat book that is perfect for study and performance.

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Additional Details
Series: Piano 101
Publisher: Alfred Music
Page Count: 152
ISBN10: 0-7390-0257-0
ISBN13: 978-0-7390-0257-5
UPC: 038081169910
SKU: 00-14591

More about this title

About the Author: E. L. Lancaster

E. L. Lancaster

E. L. Lancaster shaped group piano pedagogy in North America for over four decades. At the University of Oklahoma from 1979 to 1998, he established the master's and doctoral programs in piano pedagogy, mentoring more than 50 doctoral candidates while teaching piano pedagogy courses and directing the group piano program. He also operated a large independent piano studio in Norman, Oklahoma, combining group and private instruction with his wife, Dr. Gayle Kowalchyk, for 15 years. His contributions earned him the Regents Award for Superior Teaching (1984), the David Ross Boyd Professorship (1991), and the Provost's Outstanding Academic Advising Award (1996).

Lancaster's influence extends beyond the classroom. As former Executive Editor of Piano for Alfred Music and an adjunct faculty member at California State University, Northridge, he has shaped contemporary piano curriculum resources. He has held leadership roles in the Music Teachers National Association (MTNA), serving as National Chairman of Group Piano and Student Chapters, and chaired the 2020 National Conference. His work in the National Conference on Piano Pedagogy further strengthened connections between administration and classroom practice. In 2013, Phi Mu Alpha Sinfonia named him a Signature Sinfonian in recognition of his sustained excellence.

Why we love this

This book refuses to separate musicianship from technique or theory from real repertoire. Every unit builds functional skills—reading, harmonizing from lead sheets, training the ear—alongside music you actually want to play, making it ideal for teachers working with mixed-ability group piano classes who need students engaged from day one.

What to expect

Structured yet flexible, with enough variety in each unit that different learners find footing. The mix of classical, folk, popular, and contemporary repertoire keeps pacing fresh, while consistent unit design builds confidence as students recognize patterns and grow into more complex material.

Who it's for

Non-music majors in college piano classes, middle and high school students in group piano, and adults returning to keyboard study. This book also serves teachers in continuing education settings and music retailers running in-store group lessons who need one resource covering technique, reading, theory, and ear work simultaneously.

How to get the most out of it

  • Work through the lay-flat binding deliberately; it stays open without wrestling, letting you focus on hand position and page turns rather than fighting the book.
  • Assign the unit review worksheets between sessions so concepts stick; they're designed to reinforce what students encountered in repertoire and exercises rather than drill in isolation.
  • Rotate through ensemble pieces in the units to maintain energy and ensemble awareness; even in group piano classes, students respond to playing with others.

How to use it

Use Book 2 as the core text for a full-year group piano sequence in a secondary school or college setting, working through one unit per week or adjusting the pace to match your semester calendar. The built-in review worksheets and assignment pages integrate naturally into grading practices without requiring supplementary materials. Pair it with Book 1 for a two-year progression, or use it as a standalone resource for intermediate students joining mid-sequence.

Skills your students will build

  • Sight-reading at the intermediate level across varied rhythmic and harmonic contexts
  • Harmonizing from lead sheets and chord symbols
  • Ear training and interval recognition
  • Technique and hand independence at the keyboard
  • Music theory application in performance
  • Ensemble playing and listening skills

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