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Alfred's Group Piano for Adults: Ensemble Music, Book 2: Piano Book

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Alfred's Group Piano for Adults: Ensemble Music, Book 2 Cover Image

Alfred's Group Piano for Adults: Ensemble Music, Book 2: Piano Book

Repertoire for Piano Duet, Two Pianos, and Multiple Pianos

Selected by E. L. Lancaster and Kenon D. Renfrow

Grade: 2

Item: 00-47850

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Description
Alfred's Group Piano for Adults, Ensemble Music, Book 2 is designed to be used in conjunction with Alfred's Group Piano for Adults, Book 2. Included in the book is repertoire for piano duet, two pianos, and multiple pianos. The pieces were chosen to appeal to non-keyboard music majors with little or no keyboard experience. The pieces are sure to bring hours of enjoyment while reinforcing important musical concepts.
Teacher-Student Duets: Jazz Lights (Melody Bober) * King of Ragtime (Melody Bober) * Saturday Night Shuffle (Melody Bober)

Student-Student Duets: Bella Tarantella (Carol Matz) * Dragon-Fire Fantasy (Carol Matz) * Festivale (Melody Bober) * Immortelle No. 2 (Fritz Spindler) * Just Chillin' Out (Martha Mier) * Rumba en la Habana (Wynn-Anne Rossi) * Skateboard Boogie (Martha Mier) * Smoke and Mirrors (Robert D. Vandall) * Sonatina in G Major (Anton André) * Sunset Minuet (Mike Springer) * Voyage on the High Seas (Melody Bober)

Second Piano Parts for Solo Repertoire: Arabesque (Johann Burgmüller) * Menuet in G Major (Johann Sebastian Bach) * Musette in D Major (Johann Sebastian Bach) * A Pleasant Morning (Jean Louis Streabbog) * Sonatina in C Major (Muzio Clementi) * Sonatina in C Major (Frank Lynes)

Duet Parts for Hanon Exercises: Exercise No. 12 (Melody Bober) * Exercise No. 15 (Melody Bober)

Multiple Piano Ensembles: Hush-a-Bye (arr. Robert D. Vandall) * When the Saints Go Marching In (arr. Robert D. Vandall)

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Additional Details
Series: Alfred's Group Piano for Adults
Publisher: Alfred Music
Page Count: 96
ISBN10: 1-4706-4179-8
ISBN13: 978-1-4706-4179-5
UPC: 038081548678
SKU: 00-47850

More about this title

About the Composer: E. L. Lancaster

E. L. Lancaster

E. L. Lancaster shaped group piano pedagogy in America for decades. As Executive Editor of Piano for Alfred Music and a professor at the University of Oklahoma from 1979 to 1998, he established the masters and doctoral programs in piano pedagogy at OU and mentored more than 50 doctoral students in the field. He holds degrees from Murray State University, the University of Illinois, and a Ph.D. from Northwestern University.

Lancaster's contributions to music education earned him the Regents Award for Superior Teaching (1984), a David Ross Boyd Professorship (1991), and recognition as National Chairman of Group Piano for MTNA. He served as Chair of the Administration/Pedagogy Liaison Committee for the National Conference on Piano Pedagogy and has held adjunct faculty positions at California State University, Northridge. In 2013, Phi Mu Alpha Sinfonia named him a Signature Sinfonian in recognition of his sustained excellence in the field.

Why we love this

This ensemble collection pairs seamlessly with Book 2 of the core curriculum, offering immediate ways to engage adult pianists in collaborative playing without requiring them to wait for technical mastery. The variety of ensemble formats (teacher-student, student-student, multiple pianos, and supplementary parts for standard solo repertoire) means you can match pieces to your studio's exact configuration and needs, and the musical quality across all arrangements keeps adults invested in their progress.

What to expect

The collection spans moods from playful ragtime and contemporary grooves to elegant minuets and lyrical character pieces, so every session feels fresh. Pieces like Dragon-Fire Fantasy and Skateboard Boogie bring contemporary energy, while Bach's Menuet in G Major and Spindler's Immortelle No. 2 offer timeless refinement, all chosen to sustain adult learners' motivation and joy.

Who it's for

Adult pianists returning to music or beginning their keyboard journey through Alfred's Group Piano for Adults, Book 2. These pieces serve studios and group classes where students need collaborative repertoire that builds musicianship without requiring advanced technique, and where ensemble experience directly reinforces concepts from the primary text.

How to get the most out of it

  • Choose teacher-student duets early in the course to build confidence; Jazz Lights and King of Ragtime establish a fun, supportive dynamic for less experienced players.
  • When assigning student-student duets, balance technical levels thoughtfully so the primo and secondo parts remain engaging for both players without one part dominating the musical conversation.
  • Prepare the second piano parts for solo repertoire as enrichment rather than substitution; they transform familiar pieces like Bach's Musette in D Major or Clementi's Sonatina in C Major into social, satisfying performance experiences.
  • Use the duet parts for Hanon exercises sparingly but strategically to reinforce technical drills without monotony; pairing Exercise No. 12 or No. 15 with a duet creates rhythmic accountability for both hands.

How to use it

Integrate these duets as performance milestones throughout the second half of your group piano course; they give students concrete reasons to practice and create natural recital or studio gathering opportunities. Assign second piano parts to standard repertoire as students master those pieces solo, transforming familiar achievements into ensemble moments that deepen musical understanding. The multiple piano arrangements for Hush-a-Bye and When the Saints Go Marching In work beautifully for ensemble showcases or end-of-term celebrations.

Skills your students will build

  • Reading and maintaining a steady part while a partner leads or plays an independent line
  • Balancing tone and dynamics in ensemble, distinguishing between supporting (secondo) and leading (primo) roles
  • Counting carefully across varying time signatures and rhythmic figures in collaborative settings
  • Building confidence through successful group performance and social musical experience
  • Sight-reading fluency across a diverse range of styles (ragtime, Latin, classical, contemporary)

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