Alfred's Basic Piano Prep Course: Sacred Solo Book E Cover Image

Alfred's Basic Piano Prep Course: Sacred Solo Book E: Piano Book

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Alfred's Basic Piano Prep Course: Sacred Solo Book E Cover Image

Alfred's Basic Piano Prep Course: Sacred Solo Book E: Piano Book

For the Young Beginner

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco

Level: E

Item: 00-6421

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Description
The Sacred Solo Books are correlated page-by-page with the Lesson Books, reinforcing each new concept presented at the lesson. Includes glorious full-color illustrations that support the religious themes of the music. Optional teacher/parent duet parts are included.

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7390-1085-9
ISBN13: 978-0-7390-1085-3
UPC: 038081052823
SKU: 00-6421

More about this title

About the Authors

Willard A. Palmer
Dr. Willard Palmer stands as an internationally recognized musician, scholar, and educator whose prolific career spanned multiple instruments and genres. A child prodigy who performed piano on radio at age 13, he built his musical foundation through study with Mae Vardeman, whose instruction in technique and improvisation shaped his artistic development. His early years included performances on accordion and piano across radio shows and campus ensembles during his time at Whitworth College and Millsaps College.

Palmer's published output reached 789 works, encompassing accordion and piano methods, a Hammond Chord Organ method, guitar instruction materials, numerous solo compositions, and choral pieces. Many of these publications were translated into German, Japanese, French, Dutch, and Spanish. Following his Bachelor's degree from Millsaps, he earned a two-year scholarship to study at the Leipzig Conservatory in Germany. At the University of Houston, where he served on the music faculty for 18 years, he established and taught the institution's first successful college-level accordion courses.

His later scholarly pursuits centered on Classical and Baroque music, earning him international recognition as an expert in Baroque ornamentation. This expertise directly influenced the Alfred Masterworks series, a highly regarded publication line. Palmer received a Doctor of Humanities degree in 1971 and a Doctor of Music degree in 1983 in recognition of his musicological research. Beyond his academic work, he directed the Riemenschneider Bach Institute and served as choir director of Memorial Lutheran Church in Houston for many years. He held memberships in the American Federation of Musicians, the American Accordionists' Association, and the American Society of Composers, Authors and Publishers.
Morton Manus
Morton Manus served as president of Alfred Music Publishing Co., Inc. from 1952 to 2016. He joined the family business in the late 1940s after earning a business degree from City College of New York. The company itself traces its roots to 1922, when his father Sam founded Manus Music in New York City's Tin Pan Alley; Sam later merged it with Alfred & Company in 1930 to create what became Alfred Music.

During Manus's tenure, he fundamentally transformed Alfred Music from a popular sheet music publisher into a comprehensive music education enterprise. His vision drove the creation of instructional series for accordion, guitar, piano, and recorder. By the 1970s, the company's growth necessitated relocating its headquarters to Los Angeles in 1975, while establishing a separate distribution center in upstate New York. Under his leadership and that of his sons Ron and Steve, who joined in 1988 and 1992 respectively, Alfred Music expanded globally with offices in Australia, Germany, Singapore, and the UK.

In 2005, Alfred Music acquired Warner Bros. Publications, securing rights to the EMI Catalogue Partnership and forging a long-term relationship with Warner/Chappell Music. This milestone marked the culmination of Manus's strategic vision to establish Alfred Music as the world's leading provider of instructional methods and performance music.
Amanda Vick Lethco
Dr. Amanda Vick Lethco is best known as co-author of Alfred's Basic Piano Library, the internationally acclaimed method developed alongside Dr. Willard Palmer and Morton Manus. A pianist and pedagogy expert, she served as Professor Emeritus of Piano Pedagogy at the University of Texas at Austin and maintained private teaching studios in New York City, San Antonio, Austin, and Houston throughout her career.

Her education reflects study with some of the era's finest musicians: James Friskin at Juilliard, Rudolph Ganz at Chicago Musical College, Douglas Moore at Columbia University, and Ruth Barr in Houston. She earned three degrees from Northwestern University (Bachelor of Music in Piano Performance, Bachelor of Music Education, and Master of Music in Piano Performance) and received an honorary Doctor of Humanities degree from Whitworth College in Brookhaven, Mississippi.

Beyond her published work, Dr. Lethco was an active performer and educator on the international stage. She presented recitals across the United States and conducted workshops throughout Europe, Canada, Japan, Hong Kong, Korea, New Zealand, Malaysia, Singapore, Australia, Thailand, and Indonesia. She also co-authored Creating Music at the Piano with Dr. Willard Palmer and earned recognition in the International Who's Who of Musicians and the World Who's Who of Women.

Why we love this

This book works exactly as it should: each solo reinforces what students just learned in their lesson book, so concepts stick without feeling repetitive. The sacred themes paired with full-color illustrations give young pianists a reason to care about what they're playing, and the optional duet parts let you accompany them, turning solo practice into a musical conversation.

What to expect

These pieces carry a gentle, reverent quality that introduces children to sacred music in approachable ways. Paired with bright, full-color illustrations, the music feels purposeful and meaningful rather than purely technical, giving young pianists their first taste of playing music that celebrates faith and spirituality.

Who it's for

This book serves young piano students in the Prep Course (ages 5-8 or beginner students of any age) who are building foundational technique and music-reading skills. It's equally valuable for private studio teachers and parents supporting home practice with their students.

How to get the most out of it

  • Follow the page-by-page correlation with the Lesson Book so students encounter each new technical idea in a performance context immediately after learning it.
  • Use the optional teacher or parent duet parts to accompany students during practice, which reinforces their independence while keeping them musically engaged.
  • Let the illustrations guide phrasing and musical intent; connecting visual storytelling to musical expression helps early-level students play with purpose rather than just hitting notes.

How to use it

Use this during weekly lessons as the performance vehicle for concepts introduced in the Lesson Book; students will feel accomplishment playing real pieces rather than exercises. The sacred theme also makes these pieces natural choices for holiday concerts, church services, or spring recitals that celebrate faith-based themes.

Skills your students will build

  • Reinforcement of rhythmic notation and counting introduced in corresponding lesson pages
  • Recognition of new note positions on the staff as they appear in the curriculum sequence
  • Hand position and finger independence through age-appropriate melodic writing
  • Expressive playing and musical phrasing supported by illustrative context
  • Understanding of dynamics and articulation in simple, meaningful pieces

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