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Alfred's Basic Piano Library: Top Hits! Solo Book 6: Piano Book

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Alfred's Basic Piano Library: Top Hits! Solo Book 6 Cover Image

Alfred's Basic Piano Library: Top Hits! Solo Book 6: Piano Book

Arr. various composers / ed. E. L. Lancaster and Morton Manus

Level: 6

Item: 00-19659

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Description
Alfred's Top Hits series has overwhelmingly been accepted by students and teachers. This series combines just the right combination of hits from Broadway, Hollywood, television and recordings! As you might expect from Alfred, this series offers a rare combination of great music arranged with care and creativity. Your beginning and intermediate students can savor the excitement of playing pop music and reap the benefits from making practicing more fun and rewarding. Titles: I Dreamed a Dream * Jeannie * Puttin' on the Ritz * Someday Out of the Blue * Speak Softly, Love * Splish Splash * When I Fall in Love * Where Do I Begin * Written in the Stars * You'll Be in My Heart.

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-1643-1
ISBN13: 978-0-7390-1643-5
UPC: 038081190044
SKU: 00-19659

More about this title

About the Creator: Alfred Music

Alfred Music has spent over a century building the foundation of music education in America. Their pedagogical approach combines accessibility with artistic integrity, making sure that students encounter real music, not watered-down approximations. The Alfred's Basic Piano Library remains one of the most trusted sequences in piano instruction because it meets students where they are while refusing to compromise on quality.

Why we love this

This collection bridges the gap between method book exercises and genuine musical engagement by pairing recognizable hits with thoughtful arrangements that respect the player's current abilities. Students encounter music they actually want to practice, which transforms daily repetition from obligation into genuine motivation. The care in arrangement means each piece teaches something new without compromising the joy of playing something they've heard on stage or screen.

What to expect

You'll find yourself drawn into the world of each piece, whether it's the wistful longing of a musical theatre ballad, the infectious energy of a classic pop number, or the romantic sweep of a film score. These arrangements capture the heart of each original while remaining accessible, letting your hands play music that sounds polished and complete.

Who it's for

Intermediate pianists ready to move beyond simplified exercises and into repertoire with genuine musical substance. Students at this level have developed solid reading skills and finger independence, and they benefit enormously from material that feels rewarding and age-appropriate.

How to get the most out of it

  • Balance the melody with light accompaniment; these pieces shine when the tune stays clear and singing, even at moderate tempos.
  • Pay close attention to dynamic markings and tempo indications specific to each arrangement, as they shape the character of each hit.
  • Practice hands separately first, especially in pieces with syncopated rhythms or jazzy accompaniment patterns that differ from traditional method book textures.
  • Record yourself and listen for phrasing; treating these as musical stories rather than note sequences will improve pacing and expression.

How to use it

Use individual pieces as recital selections throughout the year, or program several from this book together to showcase your students' growing interpretive skills. This collection works particularly well as a bridge between formal recitals and casual studio performances, offering enough variety to match different student tastes and personalities.

Skills your students will build

  • Playing melodic lines with musical phrasing and consistent voicing
  • Managing varied accompaniment patterns (broken chords, jazz voicings, syncopated rhythms)
  • Reading and executing dynamic and tempo markings that shape musical character
  • Interpreting popular music idioms and understanding how they differ from classical styles
  • Coordinating hands with independence, especially when melody and accompaniment have contrasting rhythmic profiles

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