Alfred's Basic Piano Library: Sight Reading Book 4 Cover Image

Alfred's Basic Piano Library: Sight Reading Book 4: Piano Book

$6.99 USD
Sale price  $6.99 USD Regular price 
Skip to product information
Alfred's Basic Piano Library: Sight Reading Book 4 Cover Image

Alfred's Basic Piano Library: Sight Reading Book 4: Piano Book

By Gayle Kowalchyk and E. L. Lancaster

Level: 4

Item: 00-5764

$6.99
Shipped

One moment…

Description
The Sight Reading Books teach sight reading in a systematic way by creating exercises based on the same concepts that students are studying in the Lesson Books. Also includes rhythm sight reading drills and improvisation exercises to develop tactile freedom on the keyboard. Exercises are short and the music is generally easier than the corresponding pages in the Lesson Book.

Alfred's Basic Piano Library: Sight Reading Book 4: Piano Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 32
ISBN10: 1-4706-3092-3
ISBN13: 978-1-4706-3092-8
UPC: 038081117898
SKU: 00-5764

More about this title

About the Authors

Gayle Kowalchyk
Dr. Gayle Kowalchyk is a piano educator and pedagogy specialist currently at California State University, Northridge, where she teaches class piano, individual piano, and piano pedagogy courses. She earned her B.M. in piano performance from Ohio University, her M.M. in piano performance and pedagogy from Northwestern University, and her Ed.D. in piano pedagogy from Teachers College, Columbia University.

Throughout her career, Dr. Kowalchyk has held faculty positions at Eastern Illinois University, Oklahoma Baptist University, and the University of Oklahoma. She coordinated class piano programs, directed preparatory piano studies, and taught graduate level pedagogy courses. During the early 1980s, she taught at the National Music Camp in Interlochen, Michigan, where she led class piano and ensemble instruction.

An accomplished clinician and adjudicator, Dr. Kowalchyk presents regularly at conventions and symposiums including the Music Teachers National Association, Music Educators National Conference, and the World Piano Pedagogy Conference. She has co-authored more than 300 educational piano publications with her husband, Dr. E. L. Lancaster, among them Alfred's Premier Piano Course and Music for Little Mozarts. Based in the Los Angeles area, she continues to work as a clinician for Alfred Music alongside her teaching responsibilities.
E. L. Lancaster
Dr. E. L. Lancaster served as Executive Editor of Piano at Alfred Music and currently teaches piano as an adjunct faculty member at California State University, Northridge. He holds degrees from Murray State University and the University of Illinois, with a Ph.D. from Northwestern University.

Lancaster spent nearly two decades at the University of Oklahoma, Norman as a Professor of Music, where he established the master's and doctoral programs in piano pedagogy in 1980 and mentored more than 50 doctoral students. His teaching excellence earned him multiple accolades, including the Regents Award for Superior Teaching (1984), a David Ross Boyd Professorship (1991), the Provost's Outstanding Academic Advising Award (1996), and an Outstanding Faculty Award in the College of Fine Arts (1996). He also operated an independent piano studio with his wife, Dr. Gayle Kowalchyk, from 1981 to 1996, and directed the Piano Pedagogy Laboratory Program for pre-college students.

Beyond his university work, Lancaster has held significant leadership roles within the Music Teachers National Association, serving as National Chairman of Group Piano and National Chairman of Student Chapters, as well as chairing the 2020 National Conference. He has been active in the National Conference on Piano Pedagogy and received recognition as a Signature Sinfonian by Phi Mu Alpha Sinfonia in 2013. In 2014, Murray State University honored him with its Distinguished Alumnus Award.

Why we love this

The Sight Reading Book series succeeds because it moves students forward without ambush. Each exercise reinforces exactly what they're learning in the Lesson Book, so they're not wrestling with new concepts while decoding notes. The rhythm drills isolate what often trips up young players, and the improvisation exercises give their hands permission to wander the keyboard freely, building the tactile confidence that reading fluency requires.

What to expect

Short, manageable, and purposeful. Students know exactly what they're looking for because they've seen these patterns before. There's room to breathe between exercises, and the improvisation work feels like play rather than drill.

Who it's for

Students in Level 4 of Alfred's Basic Piano Library who need targeted, scaffolded sight reading practice. This book bridges the gap between lesson material and fluent reading by keeping exercises short and conceptually aligned with what students are simultaneously studying.

How to get the most out of it

  • Work through one exercise at a time, allowing students to complete each without stopping to correct mistakes. Quick completion builds confidence faster than perfect execution.
  • Assign the rhythm drills separately from the melodic sight reading. They work different parts of the brain and benefit from focused, isolated practice.
  • Encourage playback of the improvisation exercises without planning ahead. The goal is spontaneous keyboard exploration, not composition.

How to use it

Assign exercises weekly as homework alongside the corresponding Lesson Book pages. The rhythm drills work well as five-minute warm-up material before lessons. Save improvisation exercises for end-of-lesson exploration, when students have energy for creative work.

Skills your students will build

  • Reading note patterns consistent with Level 4 repertoire
  • Rhythmic fluency through isolated sight reading drills
  • Keyboard tactile awareness without score dependency
  • Confidence moving between familiar and unfamiliar material
  • Spontaneous improvisation on the keyboard

You May Also Like