Alfred's Basic Piano Library: Sight Reading Book 1B (Unlimited) Cover Image

Alfred's Basic Piano Library: Sight Reading Book 1B (Unlimited): Piano Comb Bound Book

$8.95 USD
Sale price  $8.95 USD Regular price 
Skip to product information
Alfred's Basic Piano Library: Sight Reading Book 1B (Unlimited) Cover Image

Alfred's Basic Piano Library: Sight Reading Book 1B (Unlimited): Piano Comb Bound Book

A Unique Way to Develop Sight Reading Skills in the C, Middle C and G Hand Positions

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco

Level: 1B

Item: 00-14507

$8.95
Shipped

One moment…

Description
The Sight Reading Books teach sight reading in a systematic way by creating exercises based on the same concepts that students are studying in the Lesson Books. Also includes rhythm sight reading drills and improvisation exercises to develop tactile freedom on the keyboard. Exercises are short and the music is generally easier than the corresponding pages in the Lesson Book. The comb binding creates a lay-flat book that is perfect for study and performance.

Alfred's Basic Piano Library: Sight Reading Book 1B (Unlimited): Piano Comb Bound Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-3075-2
ISBN13: 978-0-7390-3075-2
UPC: 038081125152
SKU: 00-14507

More about this title

About the Authors

Willard A. Palmer
Dr. Willard Palmer stands as a distinguished musician, scholar, and educator whose influence spans decades. A child prodigy who performed piano on radio at age 13, he built his musical foundation through early study of piano and accordion under the guidance of Mae Vardeman, a teacher who emphasized both technical excellence and improvisational creativity.

Throughout his prolific career, Dr. Palmer authored 789 published works covering piano methods, guitar instruction, accordion pedagogy, Hammond Chord Organ technique, solo pieces, and choral compositions. Many of these publications were translated into German, Japanese, French, Dutch, and Spanish, extending his educational reach across the globe. His scholarly expertise in Baroque music ornamentation became internationally recognized and formed the foundation for the acclaimed Alfred Masterworks series.

A dedicated educator, Dr. Palmer taught accordion at the University of Houston for 18 years, pioneering the first successful college-level accordion courses. He served as choir director of Memorial Lutheran Church in Houston for an extended period and directed the Riemenschneider Bach Institute. His contributions earned him a Doctor of Humanities degree in 1971 and a Doctor of Music degree in 1983. He maintained active membership in the American Federation of Musicians Local #65, the American Accordionists' Association, and the American Society of Composers, Authors and Publishers.
Morton Manus
Morton Manus served as president of Alfred Music Publishing Co., Inc. for over six decades, from 1952 to 2016. He inherited the company from his father Sam, who founded Manus Music in 1922 during New York's Tin Pan Alley era and later merged it with Alfred & Company to create Alfred Music. Morton brought a business degree from City College of New York and musical training as both a clarinetist and pianist to his leadership role.

In the 1950s, Morton transformed Alfred Music from a popular sheet music publisher into a comprehensive music education company. He championed the development of instructional series for accordion, guitar, piano, and recorder, positioning Alfred Music as a leader in educational music products. The company experienced substantial growth over the following two decades, prompting a relocation of its main office to Los Angeles in 1975 and the establishment of a distribution center in upstate New York.

Under Morton's vision and with the involvement of his sons Ron and Steve (who joined in 1988 and 1992 respectively), Alfred Music expanded globally with offices across Australia, Germany, Singapore, and the UK. The company continued to develop acclaimed instructional methods and performance music while broadening its catalog through significant acquisitions, including the 2005 purchase of Warner Bros. Publications.
Amanda Vick Lethco
Dr. Amanda Vick Lethco is best known as co-author of Alfred's Basic Piano Library, one of the world's most influential piano methods, which she developed with Dr. Willard Palmer and Morton Manus. A highly trained pianist and pedagogue, she earned three degrees from Northwestern University (Bachelor of Music in Piano Performance, Bachelor of Music Education, and Master of Music in Piano Performance) and studied with acclaimed teachers including James Friskin at Juilliard, Rudolph Ganz at Chicago Musical College, and Douglas Moore at Columbia University.

Throughout her career, Dr. Lethco served as Professor Emeritus of Piano Pedagogy at the University of Texas at Austin and maintained a private teaching practice in New York City, San Antonio, Austin, and Houston. She also co-authored Creating Music at the Piano with Dr. Willard Palmer and received an honorary Doctor of Humanities degree from Whitworth College in Brookhaven, Mississippi.

As a respected clinician and advocate for music education, Dr. Lethco conducted workshops and recitals across the United States and internationally in countries including Canada, Japan, Korea, Australia, and throughout Southeast Asia. Her contributions to music education have earned her recognition in the International Who's Who of Musicians and the World Who's Who of Women.

Why we love this

The exercises mirror exactly what students encounter in the corresponding Lesson Book, eliminating the jarring leap into unfamiliar material that frustrates beginners. Comb binding that lays flat is a small detail that transforms daily practice, keeping pages open without a book stand or hand holding them shut. The inclusion of rhythm drills and improvisation work within a sight-reading book saves you from hunting through multiple resources.

What to expect

Manageable and encouraging. Each exercise is short enough to complete in one sitting, which means students experience success frequently. The music stays accessible, deliberately easier than the Lesson Book, so the focus narrows to reading the page rather than wrestling with technique.

Who it's for

Piano students at the 1B level who have just begun their studies with Alfred's Basic Piano Library Lesson Book. This book pairs perfectly with lesson instruction, offering daily reinforcement of sight-reading skills without overwhelming students with material beyond their current concepts.

How to get the most out of it

  • Start each practice session with the shortest exercises first. Success builds confidence and establishes the habit of reading ahead before playing.
  • Pause between exercises to let students notice patterns they're discovering (repeated rhythms, familiar hand positions, interval shapes). This metacognitive pause deepens retention.
  • Alternate between sight-reading exercises and improvisation drills in a single session. The improvisation work loosens up tactile memory and removes the "test" feeling from reading new music.

How to use it

Assign one or two exercises at each lesson as part of the student's home practice routine, working through the book systematically alongside the Lesson Book. The rhythm drills work well as warm-up material before lesson time, activating reading skills before tackling new repertoire.

Skills your students will build

  • Reading treble clef notes in the first and second octaves
  • Recognizing intervals by sight and translating them to finger placement
  • Decoding rhythm patterns in simple meters (2/4, 3/4, 4/4)
  • Coordinating eyes and hands to sight-read without stopping
  • Improvising with given rhythmic and melodic frameworks
  • Building muscle memory for keyboard topography through daily, varied exercises

You May Also Like