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Alfred's Basic Piano Library: Popular Hits, Level 1A: Piano Book

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Alfred's Basic Piano Library: Popular Hits, Level 1A Cover Image

Alfred's Basic Piano Library: Popular Hits, Level 1A: Piano Book

Arranged by Tom Gerou

Level: 1A

Item: 00-44699

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Description
Alfred's Basic Piano Library: Popular Hits answers the often expressed need for popular music to be used as supplementary music for students. Soon after beginning piano study, students can play attractive versions of the best-known melodies of today. This book is correlated page-by-page with Alfred's Basic Piano Library: Lesson Book 1A. When pieces from the Popular Hits book are assigned in conjunction with the material in the Lesson Book, new concepts are reinforced in a fun and motivating way, increasing the student's interest in piano study. Titles: Chitty Chitty Bang Bang (from Chitty Chitty Bang Bang) * Cool Kids (Echosmith) * Do You Want to Build a Snowman? (from Walt Disney's Frozen) * I'll Stand by You (The Pretenders) * Iron Man (from Iron Man) * Jeepers Creepers (Johnny Mercer) * Just the Way You Are (Amazing) (Bruno Mars) * Minecraft (from Minecraft) * The Quidditch World Cup (from Harry Potter and the Goblet of Fire) * Theme from Superman * Wreck It, Wreck-It Ralph (from Wreck-It Ralph).

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 24
ISBN10: 1-4706-2735-3
ISBN13: 978-1-4706-2735-5
UPC: 038081508153
SKU: 00-44699

More about this title

About the Arranger: Tom Gerou

Tom Gerou

Tom Gerou has built a career creating accessible music for learners at every level. With more than 160 publications to his name, he has established himself as both a composer and an educational writer whose work spans from reference texts like the Essential Dictionary of Music Notation to original compositions and thoughtful arrangements across multiple genres.

Gerou's arrangements permeate Alfred's Basic Piano Library, appearing in collections focused on everything from patriotic repertoire to contemporary pop. He holds degrees in composition from the University of Southern California and Yale University, and his recognition includes two Los Angeles Drama Critics Circle Awards for original theatrical music, a Morton Gould Young Composer Award, and multiple other honors. Throughout his career, he has led workshops internationally and continues to be commissioned for works by major music education organizations.

Why we love this

Students at Level 1A rarely encounter music that reflects their actual listening world, but this collection connects what they hear on screens and in popular culture directly to their developing piano skills. Each arrangement reinforces the concepts from the concurrent Lesson Book while keeping engagement high through genuinely recognizable melodies, making practice feel less like obligation and more like playing real music.

What to expect

Immediate familiarity paired with the small satisfaction of mastering something you actually wanted to play. The arrangements respect the simplicity appropriate for a developing reader while preserving enough of each song's character to feel authentic rather than simplified.

Who it's for

Level 1A piano students who learn best when their practice material connects to songs they recognize and enjoy. Teachers who want to sustain motivation and demonstrate that early-level repertoire doesn't mean boring or forgettable music.

How to get the most out of it

  • Balance the melody clearly against any accompaniment pattern; even at this early level, listeners should hear the tune distinctly.
  • Check hand position on repeated notes or single-finger melodies; it's easy to collapse wrist and fingers when focusing on reading.
  • Work slowly through any unfamiliar rhythm before adding tempo; familiar songs can mask rhythmic uncertainty if learned by ear first.

How to use it

Assign these pieces alongside the corresponding pages in Lesson Book 1A to reinforce new technical concepts in a high-interest context. A few selections work well for a young student's first informal performance or family listening session, showing both progress and real musical accomplishment.

Skills your students will build

  • Reading treble clef note names in the range of early piano study
  • Sight-reading simple melodies with minimal rhythmic variation
  • Hand position and finger independence on repeated-note patterns
  • Sustaining focus and accuracy on longer pieces (relative to early-level standards)

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