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Alfred's Basic Piano Library: Merry Christmas! Book 1B: Piano Book

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Alfred's Basic Piano Library: Merry Christmas! Book 1B Cover Image

Alfred's Basic Piano Library: Merry Christmas! Book 1B: Piano Book

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco

Level: 1B

Item: 00-2211

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Description
Carefully graded carols are placed in order of difficulty within each book. Every carol has a duet part for the teacher or parent. May be used with any method. Titles: Angels We Have Heard on High * Go, Tell It on the Mountain * Jingle Bells * Jolly Old Saint Nicholas * Silent Night * The Twelve Days of Christmas * We Wish You a Merry Christmas.

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7390-1478-1
ISBN13: 978-0-7390-1478-3
UPC: 038081005362
SKU: 00-2211

More about this title

About the Authors

Willard A. Palmer
Dr. Willard Palmer stands as an internationally recognized musician, scholar, and educator who composed 789 published works spanning multiple genres and instruments. His compositions include methods for accordion, piano, Hammond Chord Organ, and guitar, along with numerous solo pieces and choral arrangements. Many of his works have been published in German, Japanese, French, Dutch, and Spanish editions. For many years, he served as choir director at Memorial Lutheran Church in Houston, Texas.

Palmer's distinguished career began with early promise as a child prodigy, performing piano on radio at age 13. He studied piano and accordion under Mae Vardeman, who instilled in him both technical mastery and improvisational skills. His college years at Whitworth College and Millsaps College included continued radio performances and ensemble work. After earning his Bachelor's degree from Millsaps, he received a two-year scholarship to study at the Conservatory of Leipzig in Germany. Following post-graduate study at the University of Houston, he joined that institution's music faculty and pioneered the first successful college-level accordion courses, teaching for 18 years.

Palmer's scholarly work focused extensively on Classical and Baroque music, establishing him as a worldwide authority on Baroque ornamentation. His research formed the foundation for the acclaimed Alfred Masterworks series. In recognition of his musicological contributions, he received a Doctor of Humanities degree in 1971 and a Doctor of Music degree in 1983. He served as director of the Riemenschneider Bach Institute and held membership in the American Federation of Musicians (Local 65), the American Accordionists' Association, and ASCAP.
Morton Manus
Morton Manus served as president of Alfred Music Publishing Co., Inc. for over six decades, from 1952 to 2016. A clarinetist and pianist, Manus inherited the company from his father Sam, who had founded it in 1922 as Manus Music and later merged it with Alfred & Company. He transformed Alfred Music from a popular sheet music publisher into a comprehensive music education company.

During his tenure, Manus spearheaded the creation of instructional series across multiple instruments, beginning with accordion books in the 1950s and expanding to guitar, piano, and recorder. Under his leadership, Alfred Music became a global educational music leader, establishing international offices in Australia, Germany, Singapore, and the United Kingdom. The company's growth necessitated significant expansion, including a 1975 relocation of headquarters to Los Angeles.

Manus's sons Ron and Steve joined the company to continue its legacy, with Ron arriving in 1988 and Steve in 1992. Together they sustained Alfred Music's development of instructional methods and performance music while broadening its reach internationally. In 2005, the company acquired Warner Bros. Publications, securing rights to the EMI Catalogue Partnership and forging a long-term relationship with Warner/Chappell Music.
Amanda Vick Lethco
Dr. Amanda Vick Lethco co-authored Alfred's Basic Piano Library with Dr. Willard Palmer and Morton Manus, creating one of the world's most respected piano methods. She earned her Bachelor of Music in Piano Performance and Bachelor of Music Education from Northwestern University, followed by a Master of Music degree in Piano Performance from the same institution. An honorary Doctor of Humanities from Whitworth College in Brookhaven, Mississippi, recognized her distinguished contributions to music education.

Her teaching credentials span prestigious institutions, including study with James Friskin at Juilliard, Rudolph Ganz at Chicago Musical College, and Douglas Moore at Columbia University. As Professor Emeritus of Piano Pedagogy at the University of Texas at Austin, she shaped generations of music educators. Beyond academia, she maintained an active performance and teaching career in New York City, San Antonio, Austin, and Houston.

Throughout her career, Dr. Lethco served as a clinician and workshop leader at conventions across the United States and internationally, conducting seminars in Europe, Canada, Japan, Hong Kong, Korea, New Zealand, Malaysia, Singapore, Australia, Thailand, and Indonesia. She also collaborated with Dr. Willard Palmer on Creating Music at the Piano. Her prominence in the field is reflected in her listings in the International Who's Who of Musicians and the World Who's Who of Women.

Why we love this

Palmer's graded approach to familiar repertoire removes the guesswork from sequencing. Teachers appreciate that these carols are ordered by actual difficulty, so students encounter manageable material at each level rather than stumbling into a carol that suddenly demands more than they're ready for. The inclusion of duet parts transforms every song into a conversation between student and teacher, building confidence and keeping early learners engaged.

What to expect

These carols carry the warmth of tradition without pretension. The melodies are instantly recognizable, which frees early players to focus on technique and phrasing rather than decoding unfamiliar material. Each song feels like a small victory, a moment where the student suddenly realizes they can play real music that others know and love.

Who it's for

This book serves early elementary piano students, typically in their first or second year of lessons. It also works for parent-teacher collaborations, where a caregiver can take the duet part while the student focuses on melody. Teachers using any method system will find these carols fit seamlessly into their existing curriculum.

How to get the most out of it

  • Begin with the teacher demonstration. Have students listen to you play their part first, then the duet, so they understand the harmonic framework before they touch the keys.
  • Separate hands initially and ensure left-hand comfort before combining. Many of these pieces use simple left-hand patterns that students need to internalize without reading pressure.
  • Play the duet parts expressively during rehearsal. The teacher's part is not accompaniment filler; it models phrasing, dynamics, and the emotional shape of each carol.
  • Encourage steady tempo over perfect accuracy. These carols benefit from consistency and musicality more than technical precision at this level.

How to use it

Reserve this book for December recitals and winter lesson showcases, where holiday repertoire feels natural and audience familiarity adds to the student's sense of accomplishment. You might program a carol from this collection as an opener or closer, balancing it with non-holiday pieces from the same level to create programming variety. The duet arrangements also make this ideal for parent-child performances at holiday open houses or informal studio gatherings.

Skills your students will build

  • Reading notation in treble clef with range limited to middle C and surrounding notes
  • Playing whole notes, half notes, quarter notes, and rests in simple meters
  • Coordinating both hands independently while maintaining steady tempo
  • Understanding phrase structure and musical shape within familiar melodies
  • Building confidence through recognition and successful performance of known songs

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