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Alfred's Basic Piano Library: Lesson Book Complete 2 & 3: Piano Book

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Alfred's Basic Piano Library: Lesson Book Complete 2 & 3 Cover Image

Alfred's Basic Piano Library: Lesson Book Complete 2 & 3: Piano Book

For the Later Beginner

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco

Level: 2 & 3

Item: 00-6214

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A faster-paced, combined version of Levels 2 and 3. Perfect for students who are progressing rapidly through the Complete Level 1 Lesson Book and who wish to continue at the same accelerated pace.

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 72
ISBN10: 0-88284-830-5
ISBN13: 978-0-88284-830-3
UPC: 038081018966
SKU: 00-6214

More about this title

About the Authors

Willard A. Palmer
Dr. Willard Palmer stands as an internationally recognized musician, scholar, and educator whose prolific output shaped music instruction across multiple instruments. A child prodigy who performed piano on radio at age 13, he built his musical foundation under the guidance of Mae Vardeman, whose teaching emphasized both technical precision and improvisational freedom. His early studies in piano and accordion set the trajectory for a lifetime of creative and pedagogical work.

Palmer's compositional and educational legacy encompasses 789 published works spanning accordion methods, piano instruction books, guitar methods, Hammond Chord Organ instruction, solo pieces, and choral compositions. Many of his publications were translated into German, Japanese, French, Dutch, and Spanish, extending his influence globally. His scholarly expertise in Baroque music ornamentation became foundational to the widely respected Alfred Masterworks series, earning him recognition as a leading authority in this specialized field. He received a Doctor of Humanities degree in 1971 and a Doctor of Music degree in 1983.

At the University of Houston, Palmer taught the first successful college accordion courses for 18 years while advancing musicological research into Classical and Baroque music. He served as director of the Riemenschneider Bach Institute and held memberships in the American Federation of Musicians Local #65, the American Accordionists' Association, and the American Society of Composers, Authors and Publishers. Additionally, Palmer served as choir director at Memorial Lutheran Church in Houston for many years.
Morton Manus
Morton Manus served as president of Alfred Music Publishing Co., Inc. for over six decades, from 1952 to 2016. He joined the family business in the late 1940s, shortly after earning a business degree from City College of New York. As a skilled clarinetist and pianist, Manus brought both musical knowledge and business acumen to his leadership role.

Under Manus's direction, Alfred Music underwent a major transformation in the 1950s. He shifted the company's focus from popular sheet music toward comprehensive music education products, developing instructional series for accordion, guitar, piano, and recorder. This strategic pivot positioned Alfred Music as a leader in music education rather than a traditional publisher. The company's growth led to significant expansion, including relocations of its main office to Los Angeles in 1975 and its distribution center to upstate New York.

Manus's sons, Ron and Steve, continued the family legacy by joining the company in 1988 and 1992 respectively. Together, they expanded Alfred Music's global presence by opening international offices in Australia, Germany, Singapore, and the United Kingdom. In 2005, the company acquired Warner Bros. Publications, significantly broadening its catalog and establishing a long-term partnership with Warner/Chappell Music.
Amanda Vick Lethco
Dr. Amanda Vick Lethco co-created Alfred's Basic Piano Library, the internationally acclaimed piano method, alongside Dr. Willard Palmer and Morton Manus. She earned degrees from Northwestern University, including a Bachelor of Music in Piano Performance, a Bachelor of Music Education, and a Master of Music in Piano Performance. Her advanced training came from prestigious institutions, where she studied with renowned musicians including James Friskin at Juilliard, Rudolph Ganz at Chicago Musical College, and Douglas Moore at Columbia University.

At the University of Texas at Austin, Dr. Lethco served as Professor Emeritus of Piano Pedagogy and maintained a private teaching practice across New York City, San Antonio, Austin, and Houston. Her accomplishments include an honorary Doctor of Humanities degree from Whitworth College in Brookhaven, Mississippi, and recognition in both the International Who's Who of Musicians and the World Who's Who of Women. She also co-authored Creating Music at the Piano with Dr. Willard Palmer.

Beyond her teaching and publishing work, Dr. Lethco was an active recitalist and clinician. She presented workshops at colleges and universities throughout the United States and conducted clinics internationally in Europe, Canada, Japan, Hong Kong, Korea, New Zealand, Malaysia, Singapore, Australia, Thailand, and Indonesia.

Why we love this

This combined level book removes the artificial pause between Level 2 and Level 3, letting quick learners sustain momentum without boredom. Palmer's pedagogy builds each new concept methodically on what precedes it, so advanced beginners never feel like they're jumping around. Seventy-two pages of carefully sequenced material means you can actually move through the year with a student who's ready, rather than repeating material or jumping to unrelated books.

What to expect

The music feels proportionate and honest; Palmer never overcomplicates a concept just to impress. Pieces combine technical work with genuine melodic interest, so students experience the satisfaction of playing actual music rather than exercises. The repertoire balances classical clarity with gentle character pieces, creating a learning environment that feels grown-up without being cold.

Who it's for

This book serves pianists in the upper-beginner phase who have completed the Alfred's Basic Piano Library Complete Level 1 with room to spare. It is designed specifically for students showing consistent progress, solid hand position, and readiness to tackle more complex rhythms, larger hand spans, and extended melodic material without remedial pacing. Teachers working with advancing younger students or early-starting older beginners who need acceleration will find this the logical next step.

How to get the most out of it

  • Balance the hand position adjustments carefully as students shift between higher and lower registers; Palmer introduces these gradually, so mark the transition points in your own copy to catch any tension creeping in.
  • Treat the technical exercises embedded in each lesson as integral to repertoire, not as separate drills; they prepare the hand for the character and texture of the pieces that follow.
  • Use the duet arrangements (where included) to build listening skills and ensemble awareness; these pieces work as meaningful performance goals, not just teacher-student padding.
  • Encourage students to notice the compositional patterns Palmer repeats across pieces; recognizing these familiar shapes builds confidence and reduces practice time on new material.

How to use it

Use this book as your primary text for a full academic year with a rapidly advancing student, pacing it across 30-36 weeks rather than rushing. It works equally well for a motivated older beginner who values systematic technique building before entering general repertoire. The pieces are recital-ready once polished, so plan performances around the completion of units to give students concrete performance goals.

Skills your students will build

  • Reading treble clef across the full staff with increased interval distances
  • Playing in both hands simultaneously with independent melodic lines
  • Managing hand position shifts and extended hand spans
  • Executing dotted rhythms, eighth-note patterns, and compound meter introductions
  • Sustaining longer musical phrases with consistent tempo and dynamic shaping
  • Recognizing and executing major and minor key signatures
  • Accompanying melodic lines with simple harmonic progressions

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