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Alfred's Basic Piano Library: Composition Book Complete 2 & 3: Piano Book

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Alfred's Basic Piano Library: Composition Book Complete 2 & 3 Cover Image

Alfred's Basic Piano Library: Composition Book Complete 2 & 3: Piano Book

For the Later Beginner

By Valerie Cisler and Deanna Walker-Tipps

Level: 2 & 3

Item: 00-14572

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Description
The Composition Book encourages the development of creativity and compositional skills, while reinforcing important musical concepts including music reading and notation. Although these books are correlated page-by-page with the Lesson Books, they can be used with any piano method.

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-88284-945-X
ISBN13: 978-0-88284-945-4
UPC: 038081166711
SKU: 00-14572

More about this title

About the Authors

Valerie Cisler

Deanna Walker-Tipps
Deanna Walker-Tipps is a faculty member at Vanderbilt University with degrees in Piano Performance Pedagogy from Eastern New Mexico University and Composition from Peabody Conservatory of Johns Hopkins University. Her educational background spans both performance training and advanced compositional study.

Walker-Tipps has established herself as an accomplished composer with multiple commissions to her name. She co-authored the Alfred's Basic Piano Library Composition Books for Levels 1–3. Her composition Suite for Two Pianos earned third place in the MTNA Distinguished Composer of the Year competition, drawing entries from more than 30 states. Notable commissioned works include Theme and Motivations for piano trio, premiered by Tulsa's Trio Brioso, and Trio for saxophone, flute and piano, which premiered in Chicago.

As an active voice in music education, Walker-Tipps has presented at national, division, state and local MTNA conventions. Her works have been featured in concert settings, including a program presented by Living Arts of Tulsa in conjunction with the Oklahoma Arts Council.

Why we love this

This book transforms composition from an intimidating concept into a natural extension of daily practice. By anchoring creative work to the same concepts students are learning in their lesson books, it removes the barrier between reading music and making music, so students build confidence in their own musical voice from the earliest stages.

What to expect

Pages that invite experimentation without pressure. Students encounter familiar note ranges and rhythm patterns they've already mastered, then remix them into original melodies and short pieces. The result feels like play that happens to teach composition.

Who it's for

Elementary piano students at levels 2 and 3 who are ready to move beyond pure interpretation into creative expression. This book works for students following the Alfred's Basic curriculum and those using any other piano method, since the concepts reinforce standard musical building blocks rather than method-specific content.

How to get the most out of it

  • Start with the simplest prompt and let students work at their own pace; there's no race to fill every page.
  • Play student compositions aloud in lessons, even rough drafts. Hearing their own work reinforces that what they've written has real musical value.
  • Encourage students to notate their ideas clearly before moving to the next exercise; notation practice is part of the learning.

How to use it

Assign one composition exercise per week as part of regular practice. These pieces often become student favorites for studio recitals, since they represent genuine ownership of the music. Parents also appreciate seeing their child's name as the composer on a program.

Skills your students will build

  • Writing melodies using learned note ranges and rhythms
  • Understanding phrase construction and symmetry
  • Music notation and manuscript conventions
  • Reinforcing interval and rhythm concepts through hands-on application
  • Building confidence in creative decision-making

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