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Alfred's Basic Piano: Chord Approach Solo Book 2: Piano Book

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Alfred's Basic Piano: Chord Approach Solo Book 2 Cover Image

Alfred's Basic Piano: Chord Approach Solo Book 2: Piano Book

A Piano Method for the Later Beginner

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco

Level: 2

Item: 00-2651

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Coordinated page-by-page with the Lesson Books, the student is provided with fun pieces while reviewing newly-learned concepts.

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-1765-9
ISBN13: 978-0-7390-1765-4
UPC: 038081001005
SKU: 00-2651

More about this title

About the Authors

Willard A. Palmer
Dr. Willard Palmer stands as a globally recognized musician, educator, and scholar who created an extraordinary catalog of 789 published compositions. His prolific output spans accordion methods, multiple piano methods, a Hammond Chord Organ method, guitar instruction books, numerous solo pieces, and substantial choral works. Many of his publications have reached international audiences through translations in German, Japanese, French, Dutch, and Spanish.

Palmer's scholarly expertise earned him widespread acclaim, particularly for his authoritative research on Baroque music ornamentation. This specialized knowledge formed the foundation for the highly respected Alfred Masterworks publication series. His significant contributions to musicology were honored with a Doctor of Humanities degree in 1971 and a Doctor of Music degree in 1983.

A child prodigy who performed piano on radio at age 13, Palmer studied under Mae Vardeman, whose instruction in proper technique and improvisation fundamentally shaped his artistic direction. He attended Whitworth College in Brookhaven, Mississippi and Millsaps College in Jackson, Mississippi, continuing to perform accordion and piano during his college years. Following his Bachelor's degree from Millsaps, he earned a two-year scholarship to study at the Conservatory of Leipzig in Germany. At the University of Houston, where he completed post-graduate work, Palmer taught the first successful college accordion courses for eighteen years. He served as choir director at Memorial Lutheran Church in Houston for an extended period and held directorship at the Riemenschneider Bach Institute. His professional memberships included the American Federation of Musicians Local #65, the American Accordionists' Association, and the American Society of Composers, Authors and Publishers.
Morton Manus
Morton Manus served as president of Alfred Music Publishing Co., Inc. from 1952 to 2016, guiding the company through decades of growth and transformation. He joined the family business in the late 1940s after earning a business degree from City College of New York. A skilled clarinetist and pianist himself, Manus brought both musical knowledge and business acumen to his leadership role.

Under Manus's direction, Alfred Music evolved from a popular sheet music publisher into a comprehensive music education company. In the 1950s, he spearheaded the development of instructional series for accordion, guitar, piano, and recorder. The company's expansion reflected a strategic shift toward becoming a leader in music education rather than remaining solely focused on sheet music publication. By 1975, Alfred Music's growth required relocating its main headquarters to Los Angeles, with a distribution center established in upstate New York.

Manus's sons, Ron and Steve, continued the family legacy by joining the company in 1988 and 1992 respectively. Together, they expanded Alfred Music internationally, opening offices in Australia, Germany, Singapore, and the United Kingdom. In 2005, the company acquired Warner Bros. Publications, gaining access to the EMI Catalogue Partnership and establishing a significant relationship with Warner/Chappell Music.
Amanda Vick Lethco
Dr. Amanda Vick Lethco is best known as co-author of Alfred's Basic Piano Library, one of the world's most recognized piano methods, which she developed alongside Dr. Willard Palmer and Morton Manus. A Professor Emeritus of Piano Pedagogy at the University of Texas at Austin, she brings decades of expertise to piano education and performance.

Her academic credentials include degrees from Northwestern University (Bachelor of Music in Piano Performance, Bachelor of Music Education, and Master of Music in Piano Performance) as well as an honorary Doctor of Humanities degree from Whitworth College in Brookhaven, Mississippi. She studied with renowned musicians including James Friskin at Juilliard, Rudolph Ganz at Chicago Musical College, Douglas Moore at Columbia University, and Ruth Barr in Houston.

Beyond her work on Alfred's method, Dr. Lethco co-authored Creating Music at the Piano with Dr. Willard Palmer and maintained an active performance and teaching career. She has conducted workshops and clinics across North America, Europe, and Asia, including engagements in Canada, Japan, Hong Kong, Korea, Australia, and Southeast Asia. Her private teaching studios operated in New York City, San Antonio, Austin, and Houston. Dr. Lethco appears in both the International Who's Who of Musicians and the World Who's Who of Women.

Why we love this

Palmer's chord approach method teaches students to think harmonically from the very beginning, building intuition about chord function and progression that serves them far beyond these pages. The pieces in this solo book reinforce exactly what students learned in the lesson book without feeling like drill work; each selection genuinely delights while consolidating technique. Your students will experience the satisfaction of sounding accomplished while their understanding of music deepens.

What to expect

These pieces strike a balance between charm and substance. Students hear themselves making real music with recognizable melodies and intentional harmonies, not simplified patterns. The chord approach gives even young hands the power to understand how music is constructed, creating a sense of agency and musical intelligence.

Who it's for

This solo book belongs in the hands of any Level 2 piano student working through Alfred's Basic Chord Approach Lesson Book 2. It's designed specifically for young pianists ready to explore music beyond exercises, with pieces that consolidate what they've learned while maintaining their enthusiasm and sense of musical progress.

How to get the most out of it

  • Pay attention to chord symbols above the staff; they're not decoration but a roadmap to understanding the harmonic structure of each piece. Let your students point them out before playing.
  • Coordinate hands carefully in pieces that split the chord approach between left and right hands. Slow practice with a focus on hand independence prevents rushing.
  • Use the chord progression as a phrasing guide. Natural breath points and phrase endings often align with harmonic changes, giving students an instinctive sense of musical architecture.
  • Encourage students to listen for how the chords support the melody. This ear training pays dividends when they later encounter more complex repertoire.

How to use it

Use pieces from this collection as recital selections, studio assignment portfolios, or supplemental material alongside the lesson book. A student working at this level benefits from having a steady supply of performance-ready pieces that reinforce and celebrate their developing skills. Space pieces throughout the year as milestones of progress rather than assigning them all at once.

Skills your students will build

  • Chord symbol recognition and application at the keyboard
  • Harmonic analysis through playing and listening
  • Hand independence when chords are distributed between both hands
  • Sight-reading fluency at Level 2 difficulty
  • Musical phrasing informed by harmonic progression
  • Confidence in playing complete, structurally coherent pieces

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