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Alfred's Basic Adult Jazz/Rock Course: Piano Book

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Alfred's Basic Adult Jazz/Rock Course Cover Image

Alfred's Basic Adult Jazz/Rock Course: Piano Book

A Complete Approach to Playing on Both Acoustic and Electronic Keyboards

By Bert Konowitz

Item: 00-3134

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Description
Adult beginners can be taught the basics of jazz and rock music easily using this dynamic supplement to Alfred's Basic Adult Piano Course. And, teachers don't have to be jazz or rock experts to teach it! Perfect for individual or group instruction and playable on both acoustic and electronic keyboard.

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 96
ISBN10: 0-7390-1333-5
ISBN13: 978-0-7390-1333-5
UPC: 038081011219
SKU: 00-3134

More about this title

About the Author: Bert Konowitz

Bert Konowitz

Bert Konowitz has shaped jazz education through decades of teaching across all levels of public and private schools, and he currently teaches jazz improvisation at Teachers College, Columbia University. As founder and conductor of Spirit, the improvisational arts ensemble at Teachers College, he has demonstrated that jazz pedagogy thrives when rooted in practical performance and creative risk-taking.

Konowitz's influence extends far beyond the classroom. He has composed and published extensively for piano, keyboard, chorus, and orchestra, with works translated into Chinese and German. His contributions to New York State's music curriculum and his commissions from the state education department reflect a career dedicated to making jazz and improvisation accessible to teachers and students at every level. Recognition from the National Endowment for the Arts and ASCAP honors his dual commitment to composition and pedagogy.

Why we love this

Konowitz wrote this book knowing that many piano teachers feel uncertain about jazz and rock repertoire. The course removes that barrier by presenting both genres in a logical, sequential way that requires no jazz expertise from the teacher. Adult students get genuine introduction to improvisation, comping, and the rhythmic language of jazz and rock without sacrificing the solid fundamentals they've already built.

What to expect

This book opens the door to the rhythmic freedom and expressive possibilities of jazz and rock after years of classical or pop repertoire. You'll feel the shift immediately as swing eighths replace straight rhythms, and seventh and ninth chords replace simple triads. The journey balances structure with creative play, building confidence in both reading and listening.

Who it's for

Adult piano students who have completed the fundamentals of Alfred's Basic Adult Piano Course and want to explore jazz and rock styles without starting over. Teachers seeking a structured, classroom-tested resource that does not demand prior jazz experience. Pianists in group or private lessons who are ready for stylistic variety and improvisation basics.

How to get the most out of it

  • Work the swing feel slowly at first. Focus on the ride cymbal and hi-hat patterns in the accompaniment recording before trying to lock your comping voicings to the beat.
  • Let the blues changes breathe. Resist filling every chord with complexity; space and silence define great jazz playing more than dense voicings.
  • Lock into the click track on rock passages. The straight eighths and driving rhythms require metronomic precision, especially when moving between jazz triplet feels and rock straight feels in consecutive exercises.
  • Listen to the recordings multiple times before playing. Hearing how the piano sits in the ensemble context gives you a model for tone, dynamic range, and phrasing that transcends notation.

How to use it

Introduce this book as a natural next step once students have finished or are nearing completion of the main Alfred's Basic Adult Piano Course. It works well as a semester-long supplement, allowing students to maintain classical technique while sampling improvisation and ensemble playing. Consider pairing it with recital opportunities in jazz or contemporary contexts to give students performance goals beyond traditional recitals.

Skills your students will build

  • Reading and playing jazz chord symbols and extended voicings (sevenths, ninths, suspensions)
  • Recognizing and performing swing eighths and triplet-feel rhythms
  • Basic jazz improvisation over blues and jazz standards changes
  • Comping patterns and left-hand rhythmic independence in jazz and rock styles
  • Rock rhythm patterns and boogie-woogie grooves
  • Listening for and responding to ensemble textures and accompaniment recordings

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