Alfred Jazz Easy Play-Along Series, Vol. 1: Easy Standards Cover Image

Alfred Jazz Easy Play-Along Series, Vol. 1: Easy Standards: Rhythm Section (Piano, Bass, & Drumset) Book & Online Audio

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Alfred Jazz Easy Play-Along Series, Vol. 1: Easy Standards Cover Image

Alfred Jazz Easy Play-Along Series, Vol. 1: Easy Standards: Rhythm Section (Piano, Bass, & Drumset) Book & Online Audio

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Grade: 2

Item: 00-36084

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Description
The Alfred Jazz EASY Play-Along Series for Rhythm section goes beyond the other play-alongs. The rhythm section book has written out parts for piano, bass, and drumset to show comping suggestions. In addition, each of the nine jazz standards includes the melody and a sample written-out jazz solo for you to listen to, play, and practice. The included recording has a demo track and a play-along track for each tune for piano, bass, and drums. The demo track, featuring a pro rhythm section with a horn player, is a learning tool for the melody, piano comping, bass lines, drum parts, and improvisation. The play-along track allows each player to practice with the rhythm section as individuals with their part removed from the mix. In addition, the rhythm section parts in the book can be used as small group arrangements. Each jazz standard has specific improvisation tips and suggestions. The written out comping examples and melody along with the written out sample solos are all invaluable assets that makes learning how to improvise easier. Nine great tunes=great jazz! Titles: Ain't Misbehavin' * Blue Train * Impressions * Killer Joe * Jive Samba * Little Sunflower * My Little Suede Shoes * Perdido * Work Song.

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Sample Pages

Sample Audio
1 Jive Samba --:--
2 Killer Joe --:--

Jive Samba

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Sample Video
Additional Details
Series: Alfred Easy Jazz Play-Along Series
Publisher: Alfred Music
Page Count: 112
ISBN10: 0-7390-7577-2
ISBN13: 978-0-7390-7577-7
UPC: 038081408071
SKU: 00-36084
Instrumentation: Rhythm Section

More about this title

Why we love this

The dual-track format (demo and play-along) transforms how rhythm section players develop musicianship. Hearing a professional trio interpret each standard before attempting your own part builds aural understanding that transcends notation alone. Written comping suggestions and sample solos remove the guesswork from jazz phrasing, letting pianists, bassists, and drummers focus on groove execution and conversation rather than struggling to construct their parts from scratch.

What to expect

These nine standards pulse with the relaxed swing and blues-tinged sophistication of mid-century jazz. Each arrangement invites the rhythm section to settle into a groove that feels both supportive and melodic, creating space for soloing that sounds natural rather than forced.

Who it's for

Pianists, bassists, and drummers in high school or community jazz ensembles who need scaffolded entry into playing groove-based jazz. Rhythm section players in grades 2-4 will benefit from seeing how professionals approach voice-leading, time-feel, and interaction with a horn soloist.

How to get the most out of it

  • Start with the demo track at normal speed to absorb the melodic shape, comping texture, and drum pocket. Listen actively for how the piano voices its chords and where the bass walks or locks into quarter-note feel.
  • Use the play-along track with your part removed to locate your entry points and feel the ensemble's breathing. Pause between tunes and reflect on what the horn player did differently on the demo versus your interpretation.
  • Practice the written-out comping and bass lines as written first, then gradually personalize them. This approach builds a vocabulary of idiomatic phrasing before you improvise.

How to use it

Assign one standard per rehearsal week as a small-group breakout activity while the full band works on concert repertoire. The written parts allow the trio to function independently, so pianists, bassists, and drummers can rotate through styles and strengthen their ability to comp and respond to improvisation in real time.

Skills your students will build

  • Jazz comping voicings on piano (shell voicings, rootless chords, tension and release)
  • Walking bass lines and syncopated rhythmic feels
  • Swing cymbal patterns, comping behind solists, and brush technique on drums
  • Listening for and responding to improvised melody lines
  • Understanding 12-bar blues and AABA song forms in jazz context
  • Ensemble balance and interaction between rhythm section voices

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