Alexis Cover Image

Alexis: Trumpet & Keyboard Part(s)

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Alexis Cover Image

Alexis: Trumpet & Keyboard Part(s)

Grand Fantasia

By John Hartmann / ed. H. M. Lewis

Level: Medium-Difficult

Item: 81-ST1376

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Description
Hartmann's solos are marked by cantabile introductions, difficult variations (usually including one in the parallel minor key), and a triple-tongued finale. Like most cornet solos of the time, "Alexis" should be played with rubato, and the tempos should not be taken too literally. (6:30)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-010-5
ISBN13: 978-1-77157-010-7
UPC: 685462020119
SKU: 81-ST1376
Instrumentation: Trumpet & Keyboard

More about this title

About the Composer: John Hartmann

John Hartmann carved out a significant reputation as a composer of brass solos during the late 19th and early 20th centuries, when the cornet was at the height of its popularity in both concert halls and competitions. His writing exemplifies the virtuosic demands and lyrical depth expected of solo cornetists in the contest circuit, balancing showy technical passages with genuine musical substance.

Why we love this

Hartmann understood the cornet solo tradition deeply, and "Alexis" delivers the signature structural arc that makes these pieces so rewarding to teach and perform. The cantabile opening immediately establishes musicality before the technical variations kick in, and that parallel minor key variation gives students a genuine harmonic challenge beyond the usual fingering demands. The triple-tongued finale provides a satisfying payoff without compromising the lyrical character that defines the work.

What to expect

"Alexis" opens with an elegant, song-like quality that immediately draws the listener in. As it unfolds through its variations, the music alternates between moments of introspection (especially in the minor key section) and virtuosic energy, culminating in a brilliant triple-tongued passage that feels like a natural musical conclusion rather than a bolt-on finale.

Who it's for

Trumpet players advancing into the medium-difficult repertoire who are ready to balance lyrical expression with technical facility. This solo works well for students preparing for contest or festival performances, especially those seeking a piece with genuine musical substance beyond pure display.

How to get the most out of it

  • Treat rubato as essential to the style, not as an afterthought. The cantabile introduction needs breathing room and flexibility; let the phrasing breathe rather than lock into a metronomic pulse.
  • Balance the technical demands of the variations with the vocal quality Hartmann establishes at the top. Articulation should remain clear without sacrificing the singing line underneath.
  • Approach the parallel minor key variation as a moment of harmonic contrast, not purely a technical hurdle. The keyboard part can help anchor this shift; coordinate the tonal color carefully.
  • Build endurance strategically for the triple-tongued finale. Practice the articulation at moderate tempos first, then gradually increase speed to ensure clarity at performance tempo.

How to use it

Program this as a featured solo performance at a chamber concert or recital where the keyboard accompaniment can be showcased equally with the trumpet. It also works effectively as a contest or festival entry, particularly for students who want to demonstrate stylistic maturity alongside technical control.

Skills your students will build

  • Expressive rubato and tempo flexibility within a structured form
  • Parallel key modulation and harmonic listening (minor key variation)
  • Triple-tonguing clarity and speed control
  • Cantabile tone production and phrasing across technical passages
  • Collaboration with keyboard accompanist

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