Album of Classical Pieces, Volume I Cover Image

Album of Classical Pieces, Volume I: Viola Book

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Album of Classical Pieces, Volume I Cover Image

Album of Classical Pieces, Volume I: Viola Book

Transcr. Julius Klengel

Item: 00-K04303

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Description
A collection of exercises, for Viola, transcribed by Julius Klengel.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-7897-3
ISBN13: 978-0-7692-7897-1
UPC: 029156135268
SKU: 00-K04303

More about this title

About the Arranger: Julius Klengel

Julius Klengel (1846–1938) was a German cellist and composer whose transcriptions and arrangements shaped the pedagogical viola and cello repertoire for generations of string players. His work as principal cellist of the Dresden Court Orchestra informed his understanding of how classical masterworks could be adapted across string instruments, making significant works accessible to advancing students while maintaining musical integrity.

Why we love this

This collection strips away the need to hunt through dozens of sources for classical material at an intermediate level. Klengel's transcriptions respect the originals while sitting naturally on the viola, and the 24-page format means you get genuine variety without overwhelming your students with choices.

What to expect

Familiar. These are pieces you likely already know in their original form, now sitting comfortably under the viola's hand. The collection feels grounded in 18th and 19th century classical language: clear lines, balanced phrasing, and the kind of structure that rewards careful listening even as it builds technical confidence.

Who it's for

Intermediate to early advanced viola students who benefit from standard classical repertoire without the density of a comprehensive method book. Studio teachers and string ensemble directors will find this especially useful for building a player's core classical vocabulary.

How to get the most out of it

  • Balance sustain with clarity in legato passages; avoid letting the resonance blur phrase contours, especially in slower movements.
  • Shape each piece around its original harmonic language rather than treating the viola as a transposing instrument; this keeps musical intention intact.
  • Use the full range available to you across positions; Klengel's arrangements often exploit the viola's capacity to move through registers expressively.

How to use it

Select individual pieces as recital material for studio students, or draw from this collection to supplement your ensemble's string sectional work. The classical foundation also makes these useful for bridging students from elementary method books to the larger solo repertoire they'll encounter in high school.

Skills your students will build

  • Reading and executing classical phrase structures across the full range of the viola
  • Sustain quality and intonation control in longer note values
  • Position work and string crossing in structured harmonic contexts
  • Interpretation of classical articulation and bowing conventions

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