Album for Adolescent Children, Part 2: from Peches de Vieillesse (Sins of Old Age), Vol. 5 Cover Image

Album for Adolescent Children, Part 2: from Peches de Vieillesse (Sins of Old Age), Vol. 5: Piano, Solo, Unaccompanied, Solo

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Album for Adolescent Children, Part 2: from Peches de Vieillesse (Sins of Old Age), Vol. 5 Cover Image

Album for Adolescent Children, Part 2: from Peches de Vieillesse (Sins of Old Age), Vol. 5: Piano, Solo, Unaccompanied, Solo

By Gioachino Rossini, ed. Sergio Cafaro

Item: 36-M143591

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While best known for his operas, Gioachina Rossini (1792-1868) did compose other music, among which is the large collection, PÉCHÉS DE VIEILLESSE ("SINS OF OLD AGE"). Composed of 150 vocal, chamber and solo piano pieces, the collection is grouped into fourteen albums, with the ordering of the works in each album not reflective of the dates or sequence of composition. Written as salon music, intended for performance in the privacy of Rossini's own drawing room, the entire collection was sold by Rossini's widow following his death in 1868. This edition of Vol. 5, titled ALBUM POUR LES ENFANTS ADOLESCENTS (ALBUM FOR ADOLESCENT CHILDREN), is written for solo piano and includes ten pieces across two books: M143491 and M143591. Included in Book 2: 1. Prelude Convulsif; 2. La Lagune de Venise a l'expiration de l'annee 1861!; 3. Un Saute; 4. Hachis Romantique. Edited by Sergio Cafaro.

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Additional Details
Series: Master Keyboard Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63887-434-4
ISBN13: 978-1-63887-434-8
UPC: 660355124358
SKU: 36-M143591
Instrumentation: Piano Solo

More about this title

About the Creator: Gioachino Rossini

Gioachino Rossini (1792-1868) spent most of his compositional energy on operatic works that secured his fame across Europe, but his later years reveal a different creative impulse altogether. After largely retiring from the operatic stage in his fifties, Rossini devoted himself to chamber music, vocal pieces, and solo piano works, many of which were never intended for public concert halls but rather for intimate gatherings in his own home.

The Péchés de Vieillesse (Sins of Old Age) stands as the culmination of this shift. This sprawling collection of 150 pieces, organized into fourteen albums, represents Rossini's most experimental and playful period. Written without the commercial pressures of the opera house, these salon pieces showcase a composer who was more interested in wit, musical surprise, and refined craftsmanship than in broad public appeal. The Album pour les Enfants Adolescents, the fifth volume, reveals Rossini's skill at writing for younger pianists without sacrificing compositional sophistication.

Why we love this

Rossini's later salon works offer something rarely found in standard pedagogical repertoire: genuine artistic substance wrapped in pieces that remain within reach of adolescent pianists. These pieces demand attention to phrasing, color, and character without requiring virtuosic technical display, making them ideal for students ready to think beyond mechanics. The Album's four pieces in this book span contrasting moods and musical gestures, allowing you to sequence them strategically within a recital or studio program.

What to expect

These pieces inhabit the world of European salon music: intimate, conversational, sometimes witty, occasionally tender. Rossini's later writing favors unexpected harmonic turns and character shifts that delight the ear without demanding bravura display, creating a listening experience that feels both refined and genuinely musical rather than purely technical.

Who it's for

Teenage pianists with solid technical foundation and developing interpretive awareness will find material that respects their musical intelligence. Teachers seeking repertoire that bridges the gap between etude-driven training and meaningful artistic performance will value these pieces as stepping stones toward more ambitious literature.

How to get the most out of it

  • Treat the Prelude Convulsif's title as a guide to character rather than a prescription for tempo; the "convulsive" quality emerges from harmonic restlessness and unexpected shifts, not from rushing.
  • In La Lagune de Venise, shape the phrases to suggest the gentle lapping of water rather than maintaining mechanical evenness; Rossini's harmony here evokes Venetian atmosphere through color and rubato.
  • Balance rhythmic precision in Un Saute with a sense of lightness; these bouncy, shorter pieces benefit from a touch of character and humor that sits just at the edge of the written notes.
  • Allow the Hachis Romantique to breathe in its romantic excesses; Rossini is partly poking fun at the Romantic conventions of his day, so a slight wink in the interpretation honors his intent.

How to use it

Pair these pieces to create a Rossini-focused recital segment that showcases the composer beyond his operatic reputation, or select individual pieces to supplement a mixed program where you want elegant, sophisticated filler that demonstrates serious musicianship. Their modest technical demands make them candidates for student recitals or studio class performances where artistic communication matters more than difficulty.

Skills your students will build

  • Phrasing and legit voice-leading in keyboard writing
  • Harmonic listening and awareness of chromatic color
  • Character interpretation and stylistic flexibility
  • Pedal technique for tonal blending and transparency
  • Structural clarity across contrasting shorter forms

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