Alan Silvestri: A Night at the Movies Sheet Music Preview

Alan Silvestri: A Night at the Movies: Concert Band Conductor Score & Parts

By Alan Silvestri / Arranged by Michael Brown

Grade: 3

Item: 35-PK00284464

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$80.00

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Product Price Quantity
Alan Silvestri: A Night at the Movies - Conductor Score (Full Score) $10.00
Alan Silvestri: A Night at the Movies - Piccolo $6.00
Alan Silvestri: A Night at the Movies - Flute $6.00
Alan Silvestri: A Night at the Movies - Oboe $6.00
Alan Silvestri: A Night at the Movies - Bassoon $6.00
Alan Silvestri: A Night at the Movies - Bb Clarinet 1 $6.00
Alan Silvestri: A Night at the Movies - Bb Clarinet 2 $6.00
Alan Silvestri: A Night at the Movies - Bb Clarinet 3 $6.00
Alan Silvestri: A Night at the Movies - Eb Alto Clarinet $6.00
Alan Silvestri: A Night at the Movies - Bb Bass Clarinet $6.00
Alan Silvestri: A Night at the Movies - Eb Alto Saxophone 1 $6.00
Alan Silvestri: A Night at the Movies - Eb Alto Saxophone 2 $6.00
Alan Silvestri: A Night at the Movies - Bb Tenor Saxophone $6.00
Alan Silvestri: A Night at the Movies - Eb Baritone Saxophone $6.00
Alan Silvestri: A Night at the Movies - Bb Trumpet 1 $6.00
Alan Silvestri: A Night at the Movies - Bb Trumpet 2 $6.00
Alan Silvestri: A Night at the Movies - Bb Trumpet 3 $6.00
Alan Silvestri: A Night at the Movies - F Horn 1 $6.00
Alan Silvestri: A Night at the Movies - F Horn 2 $6.00
Alan Silvestri: A Night at the Movies - Trombone 1 $6.00
Alan Silvestri: A Night at the Movies - Trombone 2 $6.00
Alan Silvestri: A Night at the Movies - Baritone B.C. $6.00
Alan Silvestri: A Night at the Movies - Baritone T.C. $6.00
Alan Silvestri: A Night at the Movies - Tuba $6.00
Alan Silvestri: A Night at the Movies - String Bass $6.00
Alan Silvestri: A Night at the Movies - Percussion 1 $6.00
Alan Silvestri: A Night at the Movies - Percussion 2 $6.00
Alan Silvestri: A Night at the Movies - Mallet Percussion $6.00
Alan Silvestri: A Night at the Movies - Timpani $6.00

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Description
Film composer Alan Silvestri has penned some of the most distinctive and memorable moments in recent cinema history. Sure to be a favorite year after year, this impressive setting includes music in a wide variety of styles with familiar themes from "The Avengers, The Polar Express, Night at the Museum, Forrest Gump", and "Back to the Future". Dur: 4:25

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00284464

More about this title

About the Composer: Alan Silvestri

Alan Silvestri has shaped the sound of contemporary film for nearly four decades, composing scores that anchor blockbuster franchises and beloved family films alike. His gift for writing memorable themes that stick with audiences long after they leave the theater has made him one of the most prolific and commercially successful film composers working today.

Why we love this

This medley captures what makes Silvestri's music so infectious: each theme has its own melodic identity and harmonic flavor, yet they flow together naturally under Michael Brown's assured arranging hand. Your band gets to play music that audiences actually recognize and love, which transforms a concert from something students perform into something the community genuinely wants to hear.

What to expect

Cinematic from the downbeat. The arrangement captures the sweep and energy of film scores, where orchestral color and harmonic sophistication drive the emotional arc. This is music that asks your band to think like a film composer: shaping phrases for dramatic effect, building momentum, and honoring the themes that make these melodies stick in listeners' heads.

Who it's for

Grade 3 bands ready to tackle a substantial concert work that rewards careful ensemble playing without requiring virtuosic solo writing. It appeals equally to developing musicians seeking confidence and to established programs looking for audience-pleasing material that maintains musical substance.

How to get the most out of it

  • Balance the melodic material across sections. Each theme deserves a spotlight moment, so plan your voicing rehearsals to ensure no single section dominates the entire work.
  • Anchor the transitions between themes with your rhythm section. These moments can feel abrupt without a strong pulse guiding the ensemble forward.
  • Let the film's narrative energy inform your interpretation. Silvestri writes for visual pacing, so resist the urge to linger in slower passages; keep forward momentum.

How to use it

Perfect as a finale or centerpiece for a pops or family concert, where you can lean into the entertainment value without sacrificing musical integrity. The four-and-a-half-minute duration and Grade 3 accessibility make it ideal for mid-year programming when your ensemble has the technical foundation to handle multiple style shifts cleanly.

Skills your students will build

  • Stylistic versatility across contrasting film idioms
  • Phrase shaping and dynamic control in orchestrated melody
  • Smooth transitions between thematic material at tempo
  • Reading composite arrangements with active parts across all sections

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