Aladdin (Medley) (from Disney's Aladdin) (arr. Ed Lojeski) Sheet Music Preview

Aladdin (Medley) (from Disney's Aladdin) (arr. Ed Lojeski): SAB Choral Octavo

As performed by Alan Menken / Arranged by Ed Lojeski

Item: 35-DS00430750

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Additional Details
Publisher: Hal Leonard
Page Count: 38
SKU: 35-DS00430750

More about this title

About the Artist: Alan Menken

Alan Menken is the composer behind some of the most beloved animated film scores of the past three decades. His work on Disney's Renaissance animated features in the 1990s set a new standard for theatrical songwriting in animation, combining sophisticated harmonic language with melodies that stick with audiences long after they leave the theater. Menken's gifts for crafting singable, emotionally resonant material while maintaining compositional depth have made his catalog a staple of choral and music education repertoire.

Beyond animation, Menken has proven himself across multiple musical contexts, from stage to concert hall. His understanding of vocal writing and orchestration serves educators well; even when adapted for smaller ensembles, his songs retain their theatrical power and emotional clarity. For choirs and students, performing Menken's music offers direct access to the craft of a composer who understands how to make music matter.

Why we love this

Ed Lojeski's arrangement captures the infectious joy and character contrasts of these songs without oversimplifying them. Three-part writing opens this material to developing singers while the medley format gives you enough musical substance for a meaningful performance that honors the film's storytelling.

What to expect

Pure theatrical joy. The medley sweeps you from the marketplace energy of Agrabah into the soaring romanticism of that magic carpet ride. These melodies are designed to lodge themselves in memory; your singers will carry them far beyond the final rehearsal.

Who it's for

Choirs ranging from middle school through community ensembles will find accessible yet vocally satisfying material here. The SAB voicing accommodates mixed-voice groups where soprano and alto lines divide naturally, and the medley format keeps singers engaged across 38 pages.

How to get the most out of it

  • Shape each song's distinct personality: the opening charm of 'One Jump Ahead' requires rhythmic crispness, while 'A Whole New World' needs legit legit legit sustained phrasing and a broader emotional arc.
  • Lock the rhythmic precision in the ensemble parts early; SAB voicing relies on steady harmonic support from singers who know exactly where the beat lands.
  • Find the comedic timing in character moments without letting energy drop. These Disney songs work because they move.

How to use it

A spring or end-of-year concert slot works well when you want something that lands with immediate audience recognition and delight. Program this alongside other film music if you're building a "music from the movies" concert, or use it as a standalone showstopper where a lighter tone serves your program's arc.

Skills your students will build

  • Sustaining legit vocal tone across longer phrases
  • Rhythmic precision in syncopated, character-driven material
  • Balancing ensemble blend while maintaining individual line clarity in SAB voicing
  • Dramatic storytelling through song contrasts and character differentiation

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