Air (from <i>Baroquial Suite</i>) Cover Image

Air (from <i>Baroquial Suite</i>): Brass Quintet Score & Parts

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Air (from <i>Baroquial Suite</i>) Cover Image

Air (from Baroquial Suite): Brass Quintet Score & Parts

By Jeff Smallman

Level: Medium-Difficult

Item: 81-DBQ9919

$25.00
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Description
The Air is a lovely slow movement that came from Baroquial Suite, a suite in the Baroque style for brass quintet. Reminiscent of the famous Air from J. S. Bach's Orchestral Suite No. 3 in D, Mr. Smallman's Air explores more chromatic harmonies while still maintaining a Baroque "feel".

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-022-2
ISBN13: 978-1-55472-022-4
UPC: 685462005840
SKU: 81-DBQ9919
Instrumentation: Double Brass Quintet

More about this title

Why we love this

Smallman captures the essential serenity of the Baroque slow movement while extending its harmonic language into more sophisticated territory. This Air sits perfectly at the medium-difficult level for quintet groups ready to tackle something with real musical weight but without the extreme technical demands that can derail rehearsals. It's the kind of piece that sounds far more advanced than it is to play, which makes for genuinely satisfying performances.

What to expect

A spacious, reflective landscape where elegance and harmonic depth meet. The chromatic movement catches light like a prism through an otherwise classical window, creating moments of unexpected color while the Baroque framework keeps everything rooted and purposeful.

Who it's for

Brass quintet groups with solid fundamentals and experience balancing as an ensemble, preparing for contests or festivals where a substantial slow movement can make an impression. This works well for quintet sections within larger ensembles seeking repertoire that showcases their musicianship without dominating rehearsal schedules.

How to get the most out of it

  • Balance the harmonic voices carefully during the chromatic passages; the inner voices often carry essential voice-leading that shouldn't disappear into the texture.
  • Approach the Baroque phrasing conventions (short, shaped phrases; judicious use of breath as punctuation) as seriously as the harmonic content.
  • Work the quintet's intonation in the slower sections first at a slightly brisker tempo, then return to performance tempo once confidence is solid.
  • Coordinate entrances and cutoffs with precision; the slower the music, the more obvious any raggedness becomes.

How to use it

Program this as the centerpiece of a brass chamber showcase, pairing it with a faster movement from the same suite or with contrasting contemporary brass literature to highlight stylistic range. Its meditative quality makes it an excellent choice for the second half of a concert, where audiences are ready to settle into listening.

Skills your students will build

  • Balance and blend across a homogeneous ensemble
  • Voice-leading awareness in chromatic harmony
  • Baroque phrasing and articulation conventions
  • Intonation control in slower tempos
  • Collaborative section leadership

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