Air and Jig: Concert Band Conductor Score & Parts
By Chris M. Bernotas
Grade: 1.5 (Easy)
Item: 00-PK-0006141
$49.00
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Air and Jig: Score | $6.00 | |
| Air and Jig: Flute | $3.00 | |
| Air and Jig: Oboe | $3.00 | |
| Air and Jig: 1st B-flat Clarinet | $3.00 | |
| Air and Jig: 2nd B-flat Clarinet | $3.00 | |
| Air and Jig: B-flat Bass Clarinet | $3.00 | |
| Air and Jig: E-flat Alto Saxophone | $3.00 | |
| Air and Jig: 2nd E-flat Alto Saxophone | $3.00 | |
| Air and Jig: B-flat Tenor Saxophone | $3.00 | |
| Air and Jig: E-flat Baritone Saxophone | $3.00 | |
| Air and Jig: 1st B-flat Trumpet | $3.00 | |
| Air and Jig: 2nd B-flat Trumpet | $3.00 | |
| Air and Jig: 1st F Horn | $3.00 | |
| Air and Jig: 1st Trombone | $3.00 | |
| Air and Jig: Baritone T.C. | $3.00 | |
| Air and Jig: Baritone B.C. | $3.00 | |
| Air and Jig: Tuba | $3.00 | |
| Air and Jig: Bells | $3.00 | |
| Air and Jig: 1st Percussion | $3.00 | |
| Air and Jig: 2nd Percussion | $3.00 | |
| Air and Jig: Piano Accompaniment | $3.00 | |
| Air and Jig: C Educational Pack | $3.00 | |
| Air and Jig: Bb Educational Pack | $3.00 | |
| Air and Jig: Eb Educational Pack | $3.00 | |
| Air and Jig: F Educational Pack | $3.00 | |
| Air and Jig: Bass Clef Educational Pack | $3.00 |
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Description
A tuneful way to introduce students to the lyrical style and rollicking feel of traditional Scottish/Irish music. The "Air" is the melody from Gilderoy and is set with a contemporary harmonic palette that concludes with an exciting climax before transitioning to the jig. "The Jig of Slurs" is a traditional Irish dance with a melody and feel that is infectious! (2:30) "Air and Jig" correlates to Book 2, Level 2 of Sound Innovations for Concert Band.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Air and Jig: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Sound Innovations for Concert Band
Publisher:
Alfred Music
Page Count:
142
SKU:
00-PK-0006141
More about this title
About the Composer: Chris M. Bernotas
Chris M. Bernotas directs instrumental publications at Alfred Music, where he has shaped band and orchestra curricula for over 25 years. His compositions balance accessibility with genuine musicality, making them effective teaching tools that engage students across all developmental stages. He brings classroom experience directly into his writing, understanding both the technical challenges young musicians face and what it takes to inspire them.
Beyond the page, Bernotas works regularly as a guest conductor and clinician, leading honor ensembles and leading workshops for directors seeking fresh approaches to repertoire and technique. His published works span multiple instructional series, and his commitment to music education extends to presenting on composition, conducting, and pedagogy at regional and national conferences.
Why we love this
Bernotas captures the distinctive character of Scottish and Irish folk music without retreading familiar arrangements. The harmonic language feels contemporary and fresh, while the structure of moving from lyrical air to rollicking jig gives your students a real sense of how folk traditions organize musical ideas and build energy.
What to expect
The Air begins with a wistful, lyrical quality as the melody floats above contemporary harmonic colors. Then the energy transforms: the Jig ignites with the irresistible rhythmic momentum and warmth of Irish traditional music, inviting the full ensemble to lean into its infectious dance character.
Who it's for
This arrangement speaks to concert bands at the Grade 1.5 level who are ready to explore folk repertoire with sophistication and harmonic interest. Students benefit from encountering non-classical traditions in a context where melody remains accessible while supporting parts contribute real musical substance.
How to get the most out of it
- Shape the Air with long phrase lines and attention to dynamic contour; the contemporary harmonies work best when the melody breathes above supporting voices rather than competing with them.
- Lock the rhythmic drive in the Jig by establishing a strong sense of pulse in the lower voices before bringing in the upper melody; this traditional dance form lives in a steady, infectious groove.
- Balance the sectional transitions carefully, especially the climax marked in the Air. Let dynamics build naturally rather than forcing volume in the final measures before the shift to the Jig.
- Use the recorded accompaniment to establish stylistic reference for the folk idiom, particularly the rhythmic swing and articulation unique to the Jig section.
How to use it
Pair this on a concert where it bridges a classical first half and a lighter closing set, or use it as an engaging festival selection that showcases folk orchestration techniques. Its moderate length (2:30) works well as a concert opener that establishes energy and audience connection early.
Skills your students will build
- Phrasing and shaping in folk idiom with contemporary harmonies
- Rhythmic precision and ensemble unity in traditional dance forms
- Balancing melody against harmonic support
- Dynamic control through sectional climax and structural transitions
- Stylistic awareness of Scottish and Irish musical conventions