Air: 30,000 feet: String Orchestra Conductor Score & Parts
Arranged by Douglas Pew
Item: 35-PK00270280
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| Product | Price | Quantity |
|---|---|---|
| Air: 30,000 feet - Full Score | $5.00 | |
| Air: 30,000 feet - Violin | $3.50 | |
| Air: 30,000 feet - Violin | $2.90 | |
| Air: 30,000 feet - Viola | $2.90 | |
| Air: 30,000 feet - Violoncello | $3.20 | |
| Air: 30,000 feet - Contrabass | $2.60 |
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Description
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More about this title
Why we love this
Pew captures the contemplative mood of high altitude travel without resorting to obvious clichés. The orchestration breathes naturally across five minutes, giving every section meaningful material rather than padding the arrangement with busy filler.
What to expect
Serene and expansive. The piece evokes the quiet solitude of looking down from above, clouds beneath you and endless sky in every direction. There is a contemplative quality throughout, neither melancholy nor overly sentimental.
Who it's for
String orchestras seeking accessible repertoire with genuine musical substance. This works for middle school ensembles with solid fundamental technique and for high school programs looking to expand beyond conventional pops arrangements.
How to get the most out of it
- Shape the opening lines with a gentle, sustained tone; resist the urge to rush through the quieter passages, which are where the arrangement's sophistication lives.
- Balance the harmonic layers carefully during the middle section so that inner voices support rather than obscure the primary melody.
- Let the ending resolve with space and clarity; the final moments work best when the ensemble trusts the silence as much as the sound.
How to use it
Pair this with program themes exploring travel, perspective, or natural imagery. It also functions well as a concert opener that establishes a reflective mood before moving into more dramatic or energetic works, or as a standalone prelude to a longer suite.
Skills your students will build
- Sustaining long lines with consistent tone quality
- Balancing ensemble texture across multiple harmonic layers
- Playing musically at soft dynamics without losing focus
- Managing bow control across five continuous minutes