Ain't That A Kick In The Head Sheet Music Preview

Ain't That A Kick In The Head: E-Z Play Today

As performed by Dean Martin / As performed by Frank Sinatra / As performed by Sammy Davis, Jr.

Item: 35-DS00600940

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00600940

More about this title

About the Artist: Dean Martin

Dean Martin rose to prominence in the 1950s as a singer, actor, and entertainer whose smooth baritone and relaxed stage presence made him one of the era's most bankable stars. His recording of 'Ain't That A Kick In The Head' became an instant classic, showcasing his gift for delivering a lyric with effortless charm and impeccable timing. Martin's approach to the Great American Songbook influenced generations of performers and remains a touchstone for understanding how to interpret popular standards with genuine warmth rather than technical showmanship.

As part of the Rat Pack alongside Frank Sinatra and Sammy Davis Jr., Martin helped define the sound of sophisticated pop and jazz in mid-century America. His willingness to embrace accessible melodies and conversational phrasing made the Great American Songbook feel intimate rather than distant, a quality that continues to resonate with students learning to sing and play standards.

Why we love this

This E-Z Play arrangement captures the warmth and swing that made the original recording unforgettable, while keeping the piano part accessible for developing musicians. The three-page layout gives students room to explore jazz voicings and rubato without overwhelming them with complexity. Programming this standard alongside other Rat Pack era songs creates a cohesive set that audiences recognize instantly and players enjoy performing.

What to expect

Sophisticated without pretension, this tune swings with the ease of a conversation between friends. The melody unfolds with genuine warmth, supported by harmonies that feel classic yet approachable, creating the sensation of slipping into an evening where the music never feels forced.

Who it's for

Pianists comfortable reading chord symbols and basic jazz voicings will find this arrangement a perfect stepping stone into the standard repertoire. It suits both solo performers preparing for recitals and accompanists backing vocalists in jazz or pop ensembles.

How to get the most out of it

  • Let the melody breathe. Resist the urge to rush through phrases; Martin's charm comes from space and restraint, not speed.
  • Explore the chord extensions marked in the accompaniment. These voicings give the tune its sophisticated flavor and reward careful listening to the original recording.
  • Balance left and right hands so the melody sits naturally on top without dominating the harmonic foundation. The piano should support rather than compete.
  • Reference a vocal recording to internalize the phrasing and rhythmic nuance. Jazz standards live in the space between strict tempo, and your accompaniment needs that flexibility.

How to use it

Pair this with other mid-century standards to build a jazz concert or pop cabaret set that connects with broad audiences. The three-page length makes it ideal for an afternoon recital or a section within a larger program exploring vocal standards and their piano accompaniments.

Skills your students will build

  • Reading and interpreting chord symbols in jazz and pop contexts
  • Voicing jazz harmonies with appropriate extensions and substitutions
  • Accompanying singers with responsive, flexible phrasing and tempo
  • Connecting melodic phrasing to underlying harmonic movement
  • Balancing accompaniment texture to support rather than dominate

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