Ain't No Sunshine Sheet Music Preview

Ain't No Sunshine: Jazz Ensemble Conductor Score & Parts

By Bill Withers / Arranged by Rick Stitzel

Item: 35-PK00227024

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Description
Originally recorded in the '70s, Bill Withers' distinctive slow rocker has become a classic. The minor mode adds to the flavor, and Rick's version for young players skillfully passes the melody from section to section. Also included is a solo for tenor sax.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00227024

More about this title

About the Composer: Bill Withers

Bill Withers emerged from the soul and R&B landscape of the early 1970s with a gift for writing songs that felt both intimate and universal. His sparse, honest approach to songwriting and his warm baritone created some of the decade's most enduring hits, including "Lean on Me" and "Ain't No Sunshine," which won a Grammy Award. Withers' influence extends far beyond the charts; his work demonstrates how restraint and emotional authenticity can create music that resonates across generations and genres.

Why we love this

Rick Stitzel's arrangement captures the soulful restraint that makes the original so compelling while giving your ensemble something genuinely engaging to perform. The strategic distribution of melody across sections keeps younger players invested throughout, and the included tenor sax solo provides a natural feature moment that students love.

What to expect

Moody and reflective, with the laid-back groove of a slow rocker that never rushes. The minor tonality gives it a contemporary edge while the passing melody creates forward momentum without urgency.

Who it's for

Young jazz ensembles ready to move beyond swing standards into contemporary soul and R&B repertoire. Directors seeking accessible material that still demands musical maturity and feel.

How to get the most out of it

  • Lean into the minor mode's melancholy; resist the urge to brighten it up. The flavor comes from sitting comfortably in that pocket.
  • When the melody passes between sections, think of it as a conversation rather than a baton handoff. Each section should own its phrase.
  • The tenor sax solo deserves space to breathe. Keep the rhythm section relaxed and supportive, not driving underneath.

How to use it

Program this alongside other soul and R&B covers to show your ensemble's range beyond jazz tradition. It works particularly well in winter or spring concerts where you want to shift the emotional temperature from uptempo openers.

Skills your students will build

  • Playing with restraint and pocket consciousness in a minor key context
  • Passing melody cleanly between sections while maintaining phrase cohesion
  • Supporting and listening to featured soloists in a small-group setting
  • Understanding soul and R&B phrasing conventions within a jazz ensemble framework

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