Ain't No Sunshine: Jazz Ensemble Conductor Score & Parts
By Bill Withers / Arranged by Rick Stitzel
Item: 35-PK00227024
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Ain't No Sunshine - Full Score | $7.50 | |
| Ain't No Sunshine - Alto Sax 1 | $6.00 | |
| Ain't No Sunshine - Alto Sax 2 | $6.00 | |
| Ain't No Sunshine - Tenor Sax 1 | $6.00 | |
| Ain't No Sunshine - Tenor Sax 2 | $6.00 | |
| Ain't No Sunshine - Baritone Sax | $6.00 | |
| Ain't No Sunshine - Trumpet 1 | $6.00 | |
| Ain't No Sunshine - Trumpet 2 | $6.00 | |
| Ain't No Sunshine - Trumpet 3 | $6.00 | |
| Ain't No Sunshine - Trumpet 4 | $6.00 | |
| Ain't No Sunshine - Trombone 1 | $6.00 | |
| Ain't No Sunshine - Trombone 2 | $6.00 | |
| Ain't No Sunshine - Trombone 3 | $6.00 | |
| Ain't No Sunshine - Trombone 4 | $6.00 | |
| Ain't No Sunshine - Guitar | $6.00 | |
| Ain't No Sunshine - Piano | $6.00 | |
| Ain't No Sunshine - Bass | $6.00 | |
| Ain't No Sunshine - Drums | $6.00 | |
| Ain't No Sunshine - Aux Percussion | $6.00 |
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More about this title
About the Composer: Bill Withers
Bill Withers emerged from the soul and R&B landscape of the early 1970s with a gift for writing songs that felt both intimate and universal. His sparse, honest approach to songwriting and his warm baritone created some of the decade's most enduring hits, including "Lean on Me" and "Ain't No Sunshine," which won a Grammy Award. Withers' influence extends far beyond the charts; his work demonstrates how restraint and emotional authenticity can create music that resonates across generations and genres.
Why we love this
Rick Stitzel's arrangement captures the soulful restraint that makes the original so compelling while giving your ensemble something genuinely engaging to perform. The strategic distribution of melody across sections keeps younger players invested throughout, and the included tenor sax solo provides a natural feature moment that students love.
What to expect
Moody and reflective, with the laid-back groove of a slow rocker that never rushes. The minor tonality gives it a contemporary edge while the passing melody creates forward momentum without urgency.
Who it's for
Young jazz ensembles ready to move beyond swing standards into contemporary soul and R&B repertoire. Directors seeking accessible material that still demands musical maturity and feel.
How to get the most out of it
- Lean into the minor mode's melancholy; resist the urge to brighten it up. The flavor comes from sitting comfortably in that pocket.
- When the melody passes between sections, think of it as a conversation rather than a baton handoff. Each section should own its phrase.
- The tenor sax solo deserves space to breathe. Keep the rhythm section relaxed and supportive, not driving underneath.
How to use it
Program this alongside other soul and R&B covers to show your ensemble's range beyond jazz tradition. It works particularly well in winter or spring concerts where you want to shift the emotional temperature from uptempo openers.
Skills your students will build
- Playing with restraint and pocket consciousness in a minor key context
- Passing melody cleanly between sections while maintaining phrase cohesion
- Supporting and listening to featured soloists in a small-group setting
- Understanding soul and R&B phrasing conventions within a jazz ensemble framework