Ain't Misbehavin': Guitar Sheet Music Preview

Ain't Misbehavin': Guitar

By Thomas "Fats" Waller and Harry Brooks, words by Andy Razaf / arr. Ralph Ford

Grade: 1 (Easy)

Item: 00-PC-0014718_G

Digital Download
$3.00
Description
Here's a nice easy-goin' swing chart on a great jazz classic composed by Fats Waller. Arranger Ralph Ford, one of our specialists in writing for young bands, does it once again. Solos are for piano and tenor sax (both written out), the brass ranges are modest, and this arrangement is loaded with natural swing licks. A super chart!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Ain't Misbehavin': Guitar comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: First Year Charts for Jazz Ensemble
Publisher: Alfred Music
Page Count: 78
SKU: 00-PC-0014718_G

More about this title

About the Composer: Thomas "Fats" Waller

Thomas "Fats" Waller (1904-1943) was a virtuoso pianist, organist, composer, and entertainer who shaped the sound of stride piano and early swing jazz. Born in New York City, Waller composed hundreds of songs, many in collaboration with lyricist Harry Brooks and others, and became one of the most prolific and recorded artists of the 1920s and 1930s. His compositions blended infectious melody with sophisticated harmony, and his infectious personality made him a beloved figure in both concert halls and clubs.

Why we love this

Ralph Ford's arrangement opens this Waller standard to young ensembles without sacrificing the tune's fundamental swagger. The modest brass ranges and written-out solos for piano and tenor sax remove the pressure on advanced improvisers while keeping the natural swing intact, making this an ideal gateway to jazz repertoire for developing musicians.

What to expect

Warm, approachable, and genuinely fun. The chart settles into a groove that feels both familiar and alive, with enough compositional personality to keep listeners engaged. There's an ease in Waller's melody that makes playing this feel less like work and more like hanging out with friends.

Who it's for

First-year and developing jazz ensembles working at the Grade 1 level, including high school jazz bands, middle school jazz groups, and community ensembles building confidence with standard repertoire. This chart welcomes pianists and tenor saxophonists ready for their first written solos without demanding advanced improvisation skills.

How to get the most out of it

  • Lock the rhythm section (piano and bass) into a relaxed, conversational swing feel before bringing in the horns; this foundation makes the entire chart feel effortless.
  • Feature the tenor sax soloist prominently in the room during the written solo section; the audience needs to hear personality and clarity from that voice.
  • Keep the tempo floating rather than rigid. Waller's music invites a slight push and pull that feels human, not metronomic.
  • Let the brass punch the written figures with confidence but without aggression. These licks should land with joy, not force.

How to use it

Program this early in a jazz concert to set a welcoming tone and build ensemble confidence, or pair it alongside other Broadway and standards-based charts to create a classic jazz retrospective. It also works beautifully as a closer on a lighter program where you want the audience to leave smiling.

Skills your students will build

  • Reading lead sheets and reading parts from a score
  • Playing swing rhythms and understanding triplet-based phrasing
  • Balancing sectional textures in a jazz ensemble
  • Accompanying soloists while maintaining ensemble sound
  • Building tone control in the upper register of brass instruments

You May Also Like