Ain't-a That Good, Good News!: 2-Part Choral Octavo
Good News * Swing Low, Sweet Chariot * Ain't-a That Good News!
Traditional Spirituals / arr. Sally K. Albrecht
Item: 00-PO-0003631
Minimum order quantity: 20 copies
Pickup currently not available
Related Items
Ain't-a That Good, Good News!: SoundTrax Digital Audio Download |
$27.99
|
View | |
Ain't-a That Good, Good News!: 3-Part Mixed Choral Octavo |
$1.90
|
View | |
Ain't-a That Good, Good News!: 3-Part Mixed Choral Octavo |
$1.90
|
View | |
Ain't-a That Good, Good News!: 2-Part Choral Octavo |
$1.90
|
View | |
Ain't-a That Good, Good News!: Choral Octavo SoundTrax CD |
$27.99
|
View |
Description
Ain't-a That Good, Good News!: 2-Part Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Arranger: Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over four decades as a composer, arranger, conductor, and publisher. Since 1987, she has received the ASCAP Special Music Award annually and maintains more than 600 published choral works in print, along with 75 larger-scale musicals and songbooks. She has conducted honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and spent over thirty years directing choral and vocal publications for major educational music publishers, including Alfred Music.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University in Michigan, Jersey City State College in New Jersey, and Meredith College in North Carolina. She served as Chair of the Board of Trustees for Omicron Delta Kappa National Leadership Honor Society and received the "Pillar of Leadership" award from that organization. In 2021, both the University of Miami Frost School of Music and Rollins College honored her with Distinguished Alumna Awards. She lives in North Carolina with her husband, composer and arranger Jay Althouse.
Why we love this
Albrecht's gift for structural ingenuity shines here: she takes three beloved spirituals and weaves them into a cohesive mini-medley that feels fresh rather than nostalgic. The call-and-response writing creates natural energy and keeps both voice parts engaged throughout, and the final mash-up generates the kind of musical payoff that makes students want to sing it again immediately. This is contest-ready material that doesn't sacrifice joy for polish.
What to expect
Joyful and purposeful, with the warmth of spiritual tradition meeting contemporary arranging energy. The call-and-response interplay creates momentum and dialogue between voices, building toward a final moment where all three spirituals converge in celebration. It's the kind of piece that leaves singers and audiences smiling.
Who it's for
Directors working with developing choirs who want material that engages younger singers without sacrificing musical substance. The 2-part voicing and call-and-response structure make it accessible for middle school and early high school singers while the arranging sophistication holds the attention of experienced ensembles. Contest and festival seasons call for this piece.
How to get the most out of it
- Study the staging suggestions on Step One! and the accompanying video resources at alfred.com/video before rehearsal; Albrecht has choreographed the movement to enhance the spiritual's narrative arc rather than distract from it.
- Shape the call-and-response sections so that each exchange feels like a conversation, not a mechanical alternation; slight rubato between sections can heighten the dialogue.
- Build dynamic contrast between the three spiritual sections so the mash-up finale feels like a genuine convergence rather than a simple finish.
- If using the recorded accompaniment, rehearse with it early and often; the arrangement's rhythmic sophistication benefits from early familiarity with the harmonic underpinning.
How to use it
Program this as a concert centerpiece for spring festivals or sacred music concerts where you want to honor the spiritual tradition while showcasing your choir's rhythmic precision and ensemble blend. The medley format and built-in staging make it an excellent choice for competition festivals where musical storytelling matters alongside technical execution.
Skills your students will build
- call-and-response singing with clear textural independence
- maintaining rhythmic accuracy within a medley structure
- dynamic contrast across related sections
- performing choreographed movement while singing
- understanding the spiritual tradition and its historical context