Agua de Beber (Water to Drink): Jazz Ensemble Conductor Score & Parts

Mossman's samba reframing of this Jobim standard refuses to settle for a straightforward reading, instead using the arrangement's structural logic to build genuine excitement across the ensemble. The combination of featured solos, sectional soli passages, and dense full-band moments gives every player meaningful material to execute, making this both rewarding to conduct and engaging to perform.

Warm and propulsive, with the gentle lilt of samba underlying moments of sharp ensemble punches. The piece captures both the sophistication of Jobim's harmonic thinking and the infectious momentum of Brazilian rhythm, shifting between lyrical passages and energetic full-band eruptions.

Jazz ensembles at the Grade 4 level looking to expand their Latin jazz repertoire with a piece that combines accessible melodic content and sophisticated arranging. Directors who want students to hear how a familiar standard can be reimagined while preserving its essential character.

• Establish the samba feel early in rehearsal by isolating the rhythm section; lock the clave pattern before layers of melody and harmony enter.
• Balance the tenor sax solo against the ensemble; the accompaniment texture should support rather than compete, especially in sparser passages.
• Shape the brass soli with clear articulation and phrase direction. These moments often benefit from slight dynamic tapering at phrase ends to avoid a rigid, block-like quality.
• Emphasize the written rhythmic hits in full ensemble passages. Precision here creates the hard-hitting effect Mossman intended and prevents the sound from muddying.

Include this on a concert pairing Latin jazz standards with contemporary arrangements, or program it mid-set to shift the ensemble's energy without breaking thematic coherence. It works equally well as a concert opener that establishes groove and sophistication from the first moments.

• Playing samba rhythm feels with accuracy and authentic phrasing
• Reading sectional soli writing for saxophone and brass choirs
• Accompanying a featured soloist while maintaining rhythmic integrity
• Balancing melody, countermelody, and harmonic texture in ensemble passages
• Executing precisely articulated ensemble hits without sacrificing groove