Adoramus Te Sheet Music Preview

Adoramus Te: 3-Part Mixed Choral Octavo

By Emily Crocker

Item: 35-DS00478891

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00478891

More about this title

About the Composer: Emily Crocker

Emily Crocker

Emily Crocker spent 15 years directing music in Texas public schools before joining Hal Leonard in 1989, where she eventually became Vice President of Choral Publications. During her 29 years with the company, she established herself as a leading voice in choral pedagogy and instructional materials. She founded and directed the Milwaukee Children's Choir for 15 years and later created the Vocal Arts Academy of Milwaukee, roles that shaped her understanding of what singers at every level need to grow.

Crocker's compositions have earned performances across the globe, with particular recognition for her ability to write music that teaches while it inspires. Now based in Fort Worth, she continues composing and championing the arts community.

Why we love this

Crocker has crafted a setting of this Latin text that sits comfortably for young mixed voices without sacrificing musical substance. The voicing feels natural to sing, the harmonic language is sophisticated enough to hold a concert program, and the piece projects warmth and reverence without demanding vocal gymnastics from your singers.

What to expect

Reverent and contemplative, with a gentle harmonic motion that feels both grounded and ethereal. The piece invites singers to connect with the text's spiritual weight while remaining approachable and enjoyable to perform.

Who it's for

Three-part mixed choirs at the high school level or adult community groups looking for repertoire that combines accessibility with artistic integrity. Directors seeking a piece that works equally well on a concert or festival setting will find this a reliable choice.

How to get the most out of it

  • Balance the three parts by thinking vertically rather than horizontally; blend the chord on each beat before worrying about individual line clarity.
  • Shape phrases through breath control rather than dynamic marking changes; this maintains the meditative quality the text demands.
  • Rehearse with attention to vowel consistency across the choir, especially in the Latin text, so the piece sounds unified rather than sectional.

How to use it

Place this among other sacred or Latin repertoire in a mixed concert to create a moment of reflection, or feature it at festival competitions where judges value musicality and ensemble blend. The nine-page length makes it substantial enough to anchor a section without overwhelming rehearsal time.

Skills your students will build

  • Latin text pronunciation and diction
  • Three-part harmonic listening and balance
  • Legit phrasing and breath management in a cappella singing
  • Intonation awareness in sustained harmonic passages

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