Adeste Fidelis (O Come All Ye Faithful): A Christmas Carol Cover Image

Adeste Fidelis (O Come All Ye Faithful): A Christmas Carol: Concert Band, Chorus with Ensemble, Choral Score

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Adeste Fidelis (O Come All Ye Faithful): A Christmas Carol Cover Image

Adeste Fidelis (O Come All Ye Faithful): A Christmas Carol: Concert Band, Chorus with Ensemble, Choral Score

By arr. Arthur Harris/ transcr. William H. Silvester

Grade: 3

Item: 36-M905992

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Description
The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus. These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season. Choral scores for each work are available separately. Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High. Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas.

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Additional Details
Series: Arthur Harris Christmas Series - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 676737982010
SKU: 36-M905992
Instrumentation: SATB Chorus with Concert Band

More about this title

Why we love this

This arrangement strikes the right balance between accessibility and musicality. A Grade 3 band transcription that honors the original orchestration without overwhelming student musicians gives you a legitimate concert option, and the optional chorus integration opens programming possibilities that single-ensemble pieces cannot reach.

What to expect

Warm and stately, with the familiar carol melody anchored by rich harmonic support from the band. The SATB voices add depth and reverence without losing the tune's accessibility, creating that blend of tradition and musicianship that makes holiday concerts memorable.

Who it's for

Concert bands at the Grade 3 level who want to add choral color to their holiday programming without complexity that derails rehearsal time. Directors seeking repertoire that engages both instrumental and vocal students in a unified performance context will find this pairing straightforward to prepare.

How to get the most out of it

  • Balance the choral line carefully in rehearsal; the SATB parts should sing through the band texture rather than compete with it. Mark dynamics in both scores to ensure transparency.
  • Work the band and chorus separately first, then layer them incrementally. Start with melody and bass, add harmony, then introduce the full band counterpoint.
  • Establish a steady pulse early; this carol benefits from a singing, slightly lifted tempo rather than a march-like approach. The band's rhythmic foundation supports the choir's legato phrasing.
  • Pay attention to cutoffs and releases between phrases. Unified endings between band and chorus require clear conducting preparation and communication.

How to use it

Pair this with other carols from the Arthur Harris series to build a mixed-ensemble concert segment, or program it as a moment of vocal integration within a primarily instrumental holiday concert. The Grade 3 level makes it ideal for mid-season programming when both ensembles have developed basic cohesion.

Skills your students will build

  • Blending instrumental and vocal timbres in unified ensemble
  • Reading and executing SATB choral harmony
  • Supporting a melody line with sustained harmonic accompaniment
  • Coordinating ensemble releases and cutoffs across multiple parts
  • Balancing independent instrumental lines with sung text

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