Adeste Fideles  (O Come All Ye Faithful) Cover Image

Adeste Fideles (O Come All Ye Faithful): Conductor Score & Parts

$90.00 USD
Sale price  $90.00 USD Regular price 
Skip to product information
Adeste Fideles  (O Come All Ye Faithful) Cover Image

Adeste Fideles (O Come All Ye Faithful): Conductor Score & Parts

By John Francis Wade / arr. Arthur Harris

Item: 36-A722690

$90.00
Shipped

One moment…

Description
This timeless setting for orchestra is part of Kalmus Music's Arthur Harris Christmas Series, several of which offer the option to add chorus.

Adeste Fideles (O Come All Ye Faithful): Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Arthur Harris Christmas Series - Kalmus
Publisher: Keiser Productions, Inc.
UPC: 660355007620
SKU: 36-A722690
Instrumentation: 2+1, 2+1, 2+1, 2+1 - 4, 3, 3, 1, timp, perc, hp, str

More about this title

About the Composer: John Francis Wade

John Francis Wade (1711-1786) was an English Catholic musician and music copyist who spent much of his life in mainland Europe. He composed the Latin hymn "Adeste Fideles" around 1743, creating one of the most enduring melodies in Western music. Wade's work bridges the Classical era and centuries of Christian liturgical tradition, establishing a tune so singable and memorable that it has been adapted, arranged, and performed in nearly every musical style imaginable.

Why we love this

Arthur Harris's orchestration brings warmth and festive character to this beloved carol while maintaining the melody's immediate accessibility. The scoring for chamber orchestra allows conductors to program it in diverse concert contexts, from holiday pops concerts to classical chamber series, without requiring massive forces. This is the kind of arrangement that feels both celebratory and musically substantial.

What to expect

The music radiates genuine warmth and celebratory spirit while maintaining the hymn's stately, timeless character. Harris's orchestration adds color and texture that invites listeners into the carol rather than simply presenting it, with woodwind and brass phrases that dialogue around the soaring strings. It feels both reverent and joyful.

Who it's for

This arrangement serves conductors preparing orchestral holiday concerts who want a major-repertoire carol that engages the full ensemble. It works equally well for chamber orchestras and larger regional orchestras, making it versatile for conductors at different organizational levels. If your score indicates chorus is optional, this becomes flexible for concerts ranging from instrumental-only to fully mixed ensembles.

How to get the most out of it

  • Balance the melody with the harmonic support; let the primary voice sing through without drowning in accompaniment, regardless of which section carries the tune in any given passage.
  • Shape the phrase arcs carefully to avoid a hymn-like, overly square feeling. Use slight rubato and dynamic shaping to keep the familiar melody fresh.
  • Coordinate the harp and strings to create a cohesive foundation; if harp and pizzicato work together, ensure their attacks and releases are synchronized.
  • Check the timpani and percussion cues against the string and woodwind phrases to confirm they enhance rather than punctuate the melodic line.

How to use it

Program this as a centerpiece of a holiday concert's second half, where it can anchor a mixed program of secular and sacred Christmas music. It also works well as a concert opener if you want to establish festive, accessible tone before moving into more challenging contemporary or classical works. The familiar melody makes it an excellent selection for family concerts or community holiday events.

Skills your students will build

  • Balancing melody against harmonic accompaniment in a layered orchestral texture
  • Shaping familiar material expressively while respecting its hymn-based origins
  • Coordinating multiple instrumental choirs (strings, woodwinds, brass, percussion) around a single melodic line
  • Interpreting harp and percussion parts as integral to orchestral color rather than as mere accompaniment

You May Also Like