Adele: Songs From The Album 21 (Medley): SAB Choral Octavo

Mac Huff's arrangement captures the emotional weight of Adele's biggest songs while making them genuinely singable for mixed voices. The medley format lets you program a showstopping moment without extending rehearsal time across multiple pieces, and students connect immediately to material they actually know and care about.

The arrangement carries the dramatic intensity Adele's voice brings to 21 while opening it up for three-part harmony. You'll find moments of stark simplicity alongside fuller, more complex textures that keep the singers engaged across the full 31 pages.

Choirs looking to program contemporary music that engages students and audiences alike will find real value here. Whether you're a secular ensemble seeking concert repertoire with immediate appeal or a director wanting to bridge the gap between what students hear outside rehearsal and what they sing inside, this medley speaks directly to current musical taste.

• Build the emotional arc across the medley transitions; each song title shift is a moment to reset the mood rather than a jarring cut.
• Lock the alto line into the piano part during the rhythmic passages; this keeps the harmonic foundation steady when the arrangement gets fuller.
• Shape the dynamic contrast between verses and choruses deliberately; Adele's songs live in the space between intimate and powerful.
• Mark breath points in advance with your singers and drill them in rehearsal; 31 pages demands stamina and strategic air placement.

This works as a concert centerpiece for spring pops shows or end-of-year celebrations where contemporary repertoire lands with your audience. The medley format also makes it useful as a competition selection where you want to showcase emotional maturity and contemporary sensibility in a single package.

• Sustaining emotional expression across sustained vocal lines
• Singing contemporary pop harmony with precision
• Following arranger-driven phrasing cues that differ from the original recordings
• Managing breath control through longer phrases and medley transitions
• Balancing SAB textures so no voice carries the melody unintentionally