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Acoustic Masterclass Series: Acoustic Guitar Solos: Guitar TAB Book & CD

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Acoustic Masterclass Series: Acoustic Guitar Solos Cover Image

Acoustic Masterclass Series: Acoustic Guitar Solos: Guitar TAB Book & CD

Arrangements and recordings by David Cullen, Mike Dowling, Laurence Juber, Al Petteway, Doug Smith, and Kenny Sultan

Item: 00-SAIR013

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Description
Each book in the Acoustic Solo Series contains complete transcriptions from the artists themselves in full standard notation and tablature. Performance notes are also included. The full original recording of each song is featured on the included CD.

Twelve spectacular solo guitar arrangements, all in standard tuning (with a few simple variations), from David Cullen, Mike Dowling, Laurence Juber, Al Petteway, Doug Smith, and Kenny Sultan. The 12 songs provide an amazing overview of styles and techniques for solo guitar. From swing and blues to contemporary instrumental guitar styles, each piece will make a terrific addition to any solo guitarist's concert repertoire. Titles: The 5:55 * Bahama Beach * Blue Counterpoint * Crest of the Revolution * Go Ahead and Play * Groove Etude * Indigo Blue * Midari * Nitpickin' * Slippin' and Drippin' * Sunday Sonata * The Tempest.

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Additional Details
Series: Acoustic Masterclass
Publisher: Alfred Music
ISBN10: 0-7579-3908-2
ISBN13: 978-0-7579-3908-2
UPC: 654979092223
SKU: 00-SAIR013

More about this title

About the Artist: Mike Dowling

Mike Dowling is an accomplished fingerstyle guitarist and composer whose work spans traditional folk idioms and contemporary instrumental styles. His approach to solo guitar arranging emphasizes clarity of melody and sophisticated harmonic movement, making his pieces accessible yet musically substantial for advancing players.

Why we love this

This collection curates six distinct voices in solo guitar, each bringing their own harmonic vocabulary and technical approach. Rather than presenting variations on a single style, the book lets students absorb multiple solutions to the same fundamental challenge: how to create compelling music on one instrument. The inclusion of original recordings means students hear exactly what they're aiming for, eliminating guesswork about tempo, phrasing, and tone.

What to expect

These arrangements inhabit a sweet spot between technical display and genuine musicality. You hear swing rhythms that breathe, blues passages with harmonic sophistication, and contemporary pieces that let fingerstyle technique serve the music rather than dominate it. The overall effect is conversational and warm, as if each guitarist is sharing their particular way of thinking through a solo performance.

Who it's for

Intermediate to advanced solo guitarists building a concert repertoire or seeking stylistic breadth beyond their current playing. Teachers working with students ready to move beyond foundational method books will find this series valuable for introducing ensemble-like thinking on a single instrument. Guitarists preparing auditions or recitals benefit from the variety of moods and technical demands across these twelve pieces.

How to get the most out of it

  • Match the recorded tempo before attempting faster passages; these arrangements often use rhythmic precision to create their effect, so locking in the pulse first yields better results than speed.
  • Pay attention to the performance notes included in each transcription; they address fingering choices and technical hurdles specific to each piece rather than offering generic advice.
  • Use standard tuning as your anchor; the few variations mentioned in the book serve a musical purpose, not arbitrary complexity, so understanding why each tuning change occurs deepens your interpretation.
  • Study the swing and blues pieces alongside the contemporary instrumental tracks; recognizing how rhythm and phrasing shift between these styles sharpens your ability to shape any arrangement.

How to use it

Feature one or two pieces as part of a student recital, letting the variety appeal to audiences unfamiliar with solo guitar repertoire. In a guitar studio setting, rotate through the collection across several months so students absorb different arranging strategies and technical approaches. These pieces also work well as performance etudes for advanced students, where the artistic goal and the technical challenge align.

Skills your students will build

  • Reading and executing fingerstyle arrangements in standard notation and tablature simultaneously
  • Stylistic interpretation across swing, blues, and contemporary instrumental idioms
  • Harmonic voice leading and chord substitution in single-instrument context
  • Rhythmic independence and phrasing control in varied time feels
  • Single-note melody and bass line coordination without other instruments
  • Replicating professional recording tone and articulation through transcription study

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