Accent on Composers, Volume 1 Cover Image

Accent on Composers, Volume 1: Comb Bound Reproducible Book & Online PDF/Audio

$39.99 USD
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Accent on Composers, Volume 1 Cover Image

Accent on Composers, Volume 1: Comb Bound Reproducible Book & Online PDF/Audio

The Music and Lives of 22 Great Composers, with Audio, Review/Tests, and Supplemental Materials

By Jay Althouse and Judy O'Reilly

Grade: 4 & up

Item: 00-20048

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Description
A complete music appreciation course in one, 120-page, reproducible book/media package. For each of the 22 featured composers there is a bio (focusing on his or her personal life), a portrait, a listing of the types of music he or she composed, composer factoids, and a timeline. The recording contains a listening example for each composer. The reproducible listening guide includes information about each listening example and a second by second "what to listen for in the music." Also included are reviews (assessments) for each composer, plus more than two dozen pages of supplementary material. And it's all reproducible! Composers: Bach, Beethoven, Brahms, Copland, Debussy, Dvorák, Elgar, Handel, Haydn, Hensel, Hildegard, Ives, Joplin, Felix and Fanny Mendelssohn, Mozart, Schubert, Sousa, Stravinsky, Tchaikovsky, Verdi, Vivaldi, and Wagner. Reproducible PDFs included. Great activities for remote teaching or distance learning!

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Sample Pages

Sample Audio
1 Hallelujah Chorus --:--
2 Toccatta and Fugue in D Minor --:--

Hallelujah Chorus

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Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 120
ISBN10: 0-7390-1683-0
ISBN13: 978-0-7390-1683-1
UPC: 038081179803
SKU: 00-20048

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later recognized as a Distinguished Alumnus. He spent eight years working in rights and licensing for a major educational music publisher, during which he served on the Executive Board of the Music Publishers Association of America. As a composer, Althouse has more than 800 choral works in print and is a writer member of ASCAP, a regular recipient of the ASCAP Special Award.

Beyond composition, Althouse has shaped music education through collaborative projects and classroom resources. He co-wrote children's musicals with his wife Sally K. Albrecht, compiled vocal solo collections including Folk Songs for Solo Singers, and co-authored The Complete Choral Warm-up Book. His reproducible classroom materials (Ready to Read Music, Sixty Music Quizzes, and One-Page Composer Bios) reflect his commitment to accessible music education. He serves on the National Advisory Board of the Folk Art Society of America and has contributed to the organization's publications.

Why we love this

This is a genuinely usable resource that treats music appreciation as something students can engage with actively, not passively. The combination of composer biographies, listening guides with specific timestamps, and reproducible assessments means you're not assembling materials from five different sources. The 22 composers span centuries and genres (from Hildegard to Ives), so you can anchor units around different composers without feeling like you're teaching the same era repeatedly.

What to expect

A comprehensive roadmap rather than a scattered collection of worksheets. Students move from knowing a composer's name to understanding their life, hearing their voice through an actual recording, and answering specific questions about what they're hearing.

Who it's for

General music teachers and classroom music educators working with upper elementary through middle school students. Homeschool instructors looking for a structured music appreciation curriculum will find the reproducible format especially valuable. This works equally well for synchronous classroom instruction or asynchronous distance learning.

How to get the most out of it

  • Assign one composer per week and have students complete the biographical section before the listening activity; this context shapes how they hear the music.
  • Pair the second-by-second listening guides with the audio so students can mark along in real time, reinforcing how composers build ideas across a piece.
  • Use the assessment pages as formative checks rather than high-stakes tests; they reveal what details stuck with students and where you need to revisit.
  • Create a classroom timeline with all 22 composers to help students visualize overlapping periods and musical movements.

How to use it

Use this as the foundation for a quarterly composer study unit, rotating through different figures to build historical context across the year. The reproducible listening guides work well as part of a concert preparation activity, especially when students have heard a live performance of one of the featured composers. Distance-learning scenarios benefit from the online PDFs and audio files, which students can access independently while completing the guided listening activities.

Skills your students will build

  • Active listening and score-following with second-by-second guidance
  • Recognition of compositional styles and historical periods
  • Music history retention through biographical context and timeline work
  • Assessment readiness through guided review materials

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