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Accent on Achievement Pop, Rock, and Movie Instrumental Solos: Alto Sax Book & CD

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Accent on Achievement Pop, Rock, and Movie Instrumental Solos Cover Image

Accent on Achievement Pop, Rock, and Movie Instrumental Solos: Alto Sax Book & CD

Arr. various, ed. John O'Reilly

Level: 1-3

Item: 00-45906

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Description
Based on the widely used Accent on Achievement band method, Accent on Achievement Pop, Rock, and Movie Instrumental Solos offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, and trombone. Carefully selected and edited by Accent on Achievement author John O'Reilly, each book contains arrangements appropriate to each instrument and correlated to Books 1 and 2 of the method. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software.
Titles: Roar (Katy Perry) * We Are Young (fun.) * I See Fire (The Hobbit: The Desolation of Smaug) * Just Give Me a Reason (Pink Feat. Nate Ruess) * Firework (Katy Perry) * Just the Way You Are (Amazing) (Bruno Mars) * Home (Phillip Phillips) * Daylight (Maroon 5) * Girl on Fire (Alicia Keys) * Best Day of My Life (American Authors) * Best Song Ever (One Direction) * Dancing Queen (Abba) * Many Meetings (The Lord of the Rings: The Fellowship of the Ring) * Both Sides, Now (Joni Mitchell) * Spirit in the Sky (Norman Greenbaum) * Gonna Fly Now (Theme from Rocky) * Need You Now (Lady Antebellum) * You Raise Me Up (Josh Groban) * Statues (Harry Potter and the Deathly Hallows, Part 2) * Over the Rainbow (The Wizard of Oz) * May the Force Be with You (Star Wars Episode IV: A New Hope) * Grenade (Bruno Mars) * Let It Go (Walt Disney's Frozen) * Star Wars (Main Theme) (Star Wars Episode IV: A New Hope) * Don't Stop Believin' (Journey) * Raiders March (Raiders of the Lost Ark) * Hedwig's Theme (Harry Potter and the Sorcerer's Stone).

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Additional Details
Series: Instrumental Solos Series
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-3511-9
ISBN13: 978-1-4706-3511-4
UPC: 038081521596
SKU: 00-45906
Instrumentation: Alto Saxophone

More about this title

About the Creator: John O'Reilly

John O'Reilly has shaped how millions of young musicians learn their instruments through the Accent on Achievement method, one of the most trusted band curricula in American schools. His pedagogical approach builds technique systematically while keeping students engaged with music that matters to them.

Why we love this

These arrangements solve a real classroom need by pairing immediately recognizable melodies with writing that respects where your students actually are musically. The song selection spans enough years and styles that freshmen and sophomores alike will find something that resonates, making solo preparation feel less like an obligation and more like performing actual music.

What to expect

Familiar songs suddenly feel like real performances when you're playing the melody your friends recognize. There's a lift that comes from knowing the story of what you're playing, whether it's a moment from a blockbuster film, a current pop hit, or a classic that's stood the test of time.

Who it's for

Saxophonists working through Accent on Achievement Books 1 and 2 who are ready to stretch beyond method book exercises. These solos work equally well for students preparing for solo competitions, building a recital program, or simply wanting to play music that speaks to them outside of the ensemble.

How to get the most out of it

  • Listen to the demo track first without your book open. Let the melody sink in before you look at the notation; this trains your ear to shape phrases musically rather than mechanically.
  • The play-along track will expose timing issues that don't show up in solo practice. Record yourself and compare your phrasing to how the accompaniment sits, this builds independence faster than any metronome work.
  • Check the piano part PDFs for the harmonic context around your solos. Knowing what the left hand is doing gives you harmonic landmarks that make intonation and interpretation feel purposeful.

How to use it

Use these as weekly solo assignments throughout the year, selecting titles that align with your concert themes or repertoire. A student preparing for solo and ensemble competition will benefit from having a full range of arrangements at their level; a struggling reader gains confidence tackling melodies they already know by ear.

Skills your students will build

  • Reading at Level 1-3 difficulty with consistent rhythmic and melodic patterns
  • Phrasing longer, recognizable melodic lines across multiple phrases
  • Intonation control in ensemble contexts (with play-along accompaniment)
  • Interpretation and stylistic shaping based on original recordings
  • Sight-reading confidence with familiar song structures

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