Florence Price (1887-1953) was the first Black woman to have a symphony performed by a major American orchestra. A composer of extraordinary range, she wrote symphonies, concertos, chamber music, and solo works that drew on African American spirituals, blues idioms, and European classical forms. Her piano works span from virtuosic concert pieces to accessible teaching repertoire, all marked by lyrical invention and harmonic sophistication.
Price's educational compositions occupy a vital place in the piano teaching canon. Works like Absence demonstrate her gift for writing pieces that are genuinely satisfying to perform at intermediate levels while maintaining artistic substance. Her music belongs in every serious pianist's study, not as historical curiosity but as essential repertoire.